
Age: 23
male
Jaeden Martell (né Lieberher; born January 4, 2003) is an American actor. He began his career as a child actor, with roles in the comedy drama St. Vincent (2014) and science fiction film Midnight Special (2016). His performance in St. Vincent earned him a nomination for the Critics' Choice Movie Award for Best Young Performer. After playing the title character in the drama The Book of Henry (2017), Martell's breakthrough came with his portrayal of Bill Denbrough in the supernatural horror films It (2017) and It Chapter Two (2019). This led to further leading roles in horror films, such as The Lodge (2019) and Mr. Harrigan's Phone (2022). Martell had a supporting role in Rian Johnson's mystery comedy Knives Out (2019). Venturing into projects with more mature themes, he played a reserved teenager accused of murder in the Apple TV+ miniseries Defending Jacob (2020). He has since starred in the comedy films Metal Lords (2022) and Y2K (2024). Description above from the Wikipedia article Jaeden Martell licensed under CC-BY-SA, full list of contributors on Wikipedia.

Jaeden Martell

Dick Grayson / Robin
for Dick Grayson / Robin in FEAR THE BATMAN
Suggested by miguelrodriguez

Gotham is no longer just afraid of crime. It is afraid of Batman. In the aftermath of the city’s brutal reckoning, Batman has become an unavoidable presence—seen in reflections, felt in silence, whispered about in interrogation rooms. Crime has not vanished, but it has evolved. Fear now shapes Gotham’s underworld as much as greed once did. At the center of Gotham’s fragile recovery stands Harvey Dent, the city’s charismatic and relentless District Attorney. Backed by Batman’s unseen influence and the law’s full force, Dent wages war on organized crime, targeting the remnants of Carmine Falcone’s empire and his longtime rival Salvatore Maroni. To Bruce Wayne, Harvey is more than a political ally—he is a friend, a symbol of hope, and proof that Gotham might still be saved without masks. That hope begins to rot. As the mob fractures, a series of public, theatrical crimes grip the city—crimes designed not for profit, but for attention. Behind them is The Joker, an emerging figure whose presence infects Gotham like a disease. He does not seek control. He seeks reaction. Fear. Laughter in the wrong places. He orchestrates chaos to expose the lie beneath order, forcing Batman into confrontations that are psychological as much as physical. At the same time, a new weapon spreads through Gotham’s streets: a refined hallucinogenic toxin. Its source is Scarecrow, operating quietly in the shadows, testing fear itself as a means of domination. Victims are left broken, screaming, or catatonic—haunted by visions of Batman as a monster rather than a savior. As tensions rise, Maroni strikes back. In a public attack meant to shatter Gotham’s faith in justice, Harvey Dent is horribly disfigured. The city watches its golden boy fall—while Batman watches a friend disappear. Dent survives, but something inside him fractures. The law that once guided him becomes a coin flip. Justice becomes punishment. Two-Face is born. Bruce Wayne, already battling the weight of his crusade, now carries another responsibility: Dick Grayson, a sharp, angry orphan taken in after a tragedy that mirrors Bruce’s own. As the first Robin, Dick becomes both Bruce’s greatest risk and his only chance at breaking the cycle—challenging Batman’s obsession with fear by reminding him of compassion. A brief reunion with Selina Kyle offers Bruce clarity. Selina sees Gotham for what it is—a city that feeds on symbols—and warns him that fear alone will consume everything it touches. As Joker manipulates Dent’s descent, Scarecrow’s toxin floods the streets, and the mob tears itself apart, Batman is forced to confront the truth: fear can inspire—but it can also destroy. The film culminates in a citywide psychological collapse, where Batman must stop Two-Face not just as a criminal, but as a man he failed… while refusing to become the monster Joker believes him to be. Gotham survives—but scarred. And Batman learns that fear is a tool… not a foundation.