
Age: 62
male
Andrew Clement Serkis (born 20 April 1964) is an English actor and filmmaker. He is best known for his motion capture roles comprising motion capture acting, animation and voice work for computer-generated characters such as Gollum in The Lord of the Rings film trilogy (2001–2003) and The Hobbit: An Unexpected Journey (2012), King Kong in the eponymous 2005 film, Caesar in the Planet of the Apes reboot series (2011–2017), Captain Haddock / Sir Francis Haddock in Steven Spielberg's The Adventures of Tintin (2011), Baloo in his self-directed film Mowgli: Legend of the Jungle (2018) and Supreme Leader Snoke in the Star Wars sequel trilogy films The Force Awakens (2015) and The Last Jedi (2017), also portraying Kino Loy in the Star Wars Disney+ series Andor (2022). Serkis's film work in motion capture has been critically acclaimed. He has received an Empire Award and two Saturn Awards for his motion-capture acting. He earned a BAFTA and a Golden Globe nomination for his portrayal of serial killer Ian Brady in the British television film Longford (2006). He was nominated for a BAFTA for his portrayal of new wave and punk rock musician Ian Dury in the biopic Sex & Drugs & Rock & Roll (2010). In 2020, Serkis received the BAFTA Award for Outstanding British Contribution to Cinema. In 2021, he won a Daytime Emmy Award for The Letter for the King (2020). Serkis portrayed Ulysses Klaue in the Marvel Cinematic Universe (MCU) films Avengers: Age of Ultron (2015) and Black Panther (2018), as well as the Disney+ series What If...? (2021). He also played Alfred Pennyworth in The Batman (2022). Serkis has his own production company and motion-capture workshop, The Imaginarium, in London, which he used for Mowgli: Legend of the Jungle. He made his directorial debut with Imaginarium's 2017 film Breathe and also directed Venom: Let There Be Carnage (2021). Description above from the Wikipedia article Andy Serkis, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Andy Serkis

Alfred Pennyworth
for Alfred Pennyworth in FEAR THE BATMAN
Suggested by leosalec

Gotham is no longer just afraid of crime. It is afraid of Batman. In the aftermath of the city’s brutal reckoning, Batman has become an unavoidable presence—seen in reflections, felt in silence, whispered about in interrogation rooms. Crime has not vanished, but it has evolved. Fear now shapes Gotham’s underworld as much as greed once did. At the center of Gotham’s fragile recovery stands Harvey Dent, the city’s charismatic and relentless District Attorney. Backed by Batman’s unseen influence and the law’s full force, Dent wages war on organized crime, targeting the remnants of Carmine Falcone’s empire and his longtime rival Salvatore Maroni. To Bruce Wayne, Harvey is more than a political ally—he is a friend, a symbol of hope, and proof that Gotham might still be saved without masks. That hope begins to rot. As the mob fractures, a series of public, theatrical crimes grip the city—crimes designed not for profit, but for attention. Behind them is The Joker, an emerging figure whose presence infects Gotham like a disease. He does not seek control. He seeks reaction. Fear. Laughter in the wrong places. He orchestrates chaos to expose the lie beneath order, forcing Batman into confrontations that are psychological as much as physical. At the same time, a new weapon spreads through Gotham’s streets: a refined hallucinogenic toxin. Its source is Scarecrow, operating quietly in the shadows, testing fear itself as a means of domination. Victims are left broken, screaming, or catatonic—haunted by visions of Batman as a monster rather than a savior. As tensions rise, Maroni strikes back. In a public attack meant to shatter Gotham’s faith in justice, Harvey Dent is horribly disfigured. The city watches its golden boy fall—while Batman watches a friend disappear. Dent survives, but something inside him fractures. The law that once guided him becomes a coin flip. Justice becomes punishment. Two-Face is born. Bruce Wayne, already battling the weight of his crusade, now carries another responsibility: Dick Grayson, a sharp, angry orphan taken in after a tragedy that mirrors Bruce’s own. As the first Robin, Dick becomes both Bruce’s greatest risk and his only chance at breaking the cycle—challenging Batman’s obsession with fear by reminding him of compassion. A brief reunion with Selina Kyle offers Bruce clarity. Selina sees Gotham for what it is—a city that feeds on symbols—and warns him that fear alone will consume everything it touches. As Joker manipulates Dent’s descent, Scarecrow’s toxin floods the streets, and the mob tears itself apart, Batman is forced to confront the truth: fear can inspire—but it can also destroy. The film culminates in a citywide psychological collapse, where Batman must stop Two-Face not just as a criminal, but as a man he failed… while refusing to become the monster Joker believes him to be. Gotham survives—but scarred. And Batman learns that fear is a tool… not a foundation.