Age: 74
male
Liam Neeson (born 7 June 1952) is an Irish actor. He was born in Ballymena, County Antrim, Northern Ireland and educated at Saint Patrick's College, Ballymena Technical College and Queen's University Belfast. He moved to Dublin after university to further his acting career, joining the renowned Abbey Theatre. In the early 1990s, he moved again to the United States, where the wide acclaim for his performance in Schindler's List led to more high-profile work. He is widowed and lives in New York with his two sons. He has been nominated for an Oscar, a BAFTA and three Golden Globe Awards. He has starred in a number of notable roles including Oskar Schindler in Schindler's List, Michael Collins in Michael Collins, Peyton Westlake in Darkman, Jean Valjean in Les Misérables, Qui-Gon Jinn in Star Wars Episode I: The Phantom Menace, Alfred Kinsey in Kinsey, Ras Al Ghul in Batman Begins and the voice of Aslan in The Chronicles of Narnia film series. He has also starred in several other notable films, from major Hollywood studio releases (ie. Excalibur, The Dead Pool, Nell, Rob Roy, The Haunting, Love Actually, Kingdom of Heaven, Taken, Clash of the Titans, The A-Team, Unknown) to smaller arthouse films (ie. Deception, Breakfast on Pluto, Chloe).
Freddy Carlton knows she should be focusing on her lines for The Austen Playbook, a live-action TV event where viewers choose the outcome of each scene, but her concentration’s been blown. The palatial estate housing the endeavor is now run by the rude (brilliant) critic who’s consistently slammed her performances of late. James “Griff” Ford-Griffin has a penchant for sarcasm, a majestic nose and all the sensitivity of a sledgehammer. She can’t take her eyes off him. Griff can hardly focus with a contagious joy fairy flitting about near him, especially when Freddy looks at him like that. His only concern right now should be on shutting down his younger brother’s well-intentioned (disastrous) schemes—or at the very least on the production (not this one) that might save his family home from the banks. Instead all he can think of is soft skin and vibrant curls. As he’s reluctantly dragged into her quest to rediscover her passion for the stage and Freddy is drawn into his research on a legendary theater star, the adage about appearances being deceiving proves abundantly true. It’s the unlikely start of something enormous…but a single revelation about the past could derail it all.
