Age: 35
male
From Wikipedia, the free encyclopedia. Jeremy Steven Suarez (born July 6, 1990) is an American actor perhaps best known for his starring role of Jordan Thomkins, Bernie Mac's nephew, on The Bernie Mac Show. His first major movie role was in the 1996 film, Jerry Maguire, in which he played Tyson Tidwell, son of Cuba Gooding Jr.'s character Rod Tidwell. He had an uncredited role on Sister, Sister in 1996, on Season 4 episode, "Kid-Napped". He voiced Koda in Disney's 2003 movie Brother Bear and reprised the role in Brother Bear 2. He was amongst the thousands of mourners at the funeral of Bernie Mac and gave a heartfelt speech during the eulogy, appearing on Larry King Live in 2008 with his fellow cast to discuss the death of the man. Suarez is also a voice actor and has played roles in many television shows, such as The Wayans Bros., Chicago Hope and King of the Hill and has recently voiced a puppet on Nike commercials during the 2009 NBA Playoffs. Description above from the Wikipedia article Jeremy Suarez, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Season 1 — "The Kingdom Begins" Josian emerges in the Lowside. His early miracles (healing a paralyzed man at a free clinic, restoring sight during a street confrontation, turning a near-empty food pantry into a feast for hundreds). He assembles the Twelve. John Rivers baptizes him publicly in the industrial canal. The Sanhedron Council begins watching. John Rivers is arrested. Josian weeps publicly. Season 2 — "The Plot Thickens" Josian's movement goes city-wide. The resurrection of Lazarus Wade triggers political crisis. Josian's triumphant walk through the Crossroads (modern Palm Sunday — thousands flooding the street, coats thrown down). The Last Supper — filmed in real time, in one restaurant, over two full episodes. Josian washes feet. Judas leaves. The garden scene in the city park at 3 AM. Arrest. Trial before Kaiaphas. Caius Pontiff on live television. The sentence. Season 3 — "Death & What Comes After" The execution (filmed with unflinching restraint — not exploitation, but weight). The three days. Magdalena at the tomb at dawn. The appearances. Thomas's moment. The ascension from a rooftop as the sun rises over New Elysia — Josian stepping backward off the edge of a building and simply not falling, rising, gone. Final scene: the Twelve and Magdalena, terrified and electric, beginning to move.
