Age: 64
male
Steven W. Moffat is a British TV writer. After he established himself as a comedic writer early on in his career, writing the sitcoms 'Couplings' and 'Press Gang' in the 1990's, he later-on also became well-known as an horror and adventure writer throughout the 2000's, writing for the revival of popular BBC science-fiction show 'Doctor Who', receiving the most BAFTA awards any 'Doctor Who' writer has ever received for his scripts for the show. From 2010 on, he took over as show runner of 'Doctor Who' from Russell T. Davies, passing the job on to Chris Chibnall in 2018 after Series 10. In 2010, he also created BBC's literary adaptation crime series 'Sherlock' with Mark Gatiss, on which they concluded their work in 2017 after four series, after it had become an international success and made it's title stars Benedict Cumberbatch and Martin Freeman world-famous. In 2011, he wrote the script for a major Hollywood blockbuster, Steven Spielberg's 'The Adventures of Tintin'. 2020, he continued work with Gatiss, as they created another literary adaptation for the BBC, 'Dracula'. He is one of Britain's most distinguished and well-known TV writers.
Steven Moffat
Writer
for Writer in The Adventures of Peregrine Pickle
Suggested by Jeshisthename
This picaresque tale, first published in 1751, was Tobias Smollett’s second novel. Following the fortunes and misfortunes of the egotistical dandy Peregrine Pickle, the novel is written as a series of brief adventures with every chapter typically describing a new escapade. The novel begins with Peregrine as a young country gentleman. His mother rejects him, as do his aloof father and his dissolute, spiteful brother. Commodore Hawser Trunnion takes Peregrine under his care and raises him. Peregrine’s upbringing, education at Oxford, and journey to France, his debauchery, bankruptcy, jailing, and succession to his father’s fortune, and his final repentance and marriage to his beloved Emilia all provide scope for Smollett’s comic and caustic perspectiveon the Europe of his times. As John P. Zomchick and George S. Rousseau note in the introduction, “by contrasting the genteel and the common, the sophisticated and the primal, Smollett conveys forcefully the way it felt to be alive in the middle of the eighteenth century.”
