Age: 59
female
Tamsin Margaret Mary Greig (/ˈtæmzɪn ˈɡrɛɡ/; born 12 July 1966) is an English actress, known for both dramatic and comedic roles. She played Fran Katzenjammer in the Channel 4 sitcom Black Books, Dr Caroline Todd in the Channel 4 sitcom Green Wing, Beverly Lincoln in British-American sitcom Episodes and Jackie Goodman in the Channel 4 sitcom Friday Night Dinner. Other roles include Alice Chenery in BBC One's comedy-drama series Love Soup, Debbie Aldridge in BBC Radio 4's soap opera The Archers, Miss Bates in the 2009 BBC version of Jane Austen's Emma, and Beth Hardiment in the 2010 film version of Tamara Drewe. In 2020, Greig starred as Anne Trenchard in Julian Fellowes' ITV series Belgravia. Greig is also a stage actress. She won a Laurence Olivier Award for Best Actress in 2007 for Much Ado About Nothing, and was nominated in 2011 and 2015 for her roles in The Little Dog Laughed and Women on the Verge of a Nervous Breakdown. From Wikipedia, the free encyclopedia
Tamsin Greig
Sally Appleby
for Sally Appleby in The Adventures of Peregrine Pickle
Suggested by Jeshisthename
This picaresque tale, first published in 1751, was Tobias Smollett’s second novel. Following the fortunes and misfortunes of the egotistical dandy Peregrine Pickle, the novel is written as a series of brief adventures with every chapter typically describing a new escapade. The novel begins with Peregrine as a young country gentleman. His mother rejects him, as do his aloof father and his dissolute, spiteful brother. Commodore Hawser Trunnion takes Peregrine under his care and raises him. Peregrine’s upbringing, education at Oxford, and journey to France, his debauchery, bankruptcy, jailing, and succession to his father’s fortune, and his final repentance and marriage to his beloved Emilia all provide scope for Smollett’s comic and caustic perspectiveon the Europe of his times. As John P. Zomchick and George S. Rousseau note in the introduction, “by contrasting the genteel and the common, the sophisticated and the primal, Smollett conveys forcefully the way it felt to be alive in the middle of the eighteenth century.”
