Age: 52
male
Stephen Graham (born 3 August 1973) is an English actor and film producer. He began his career in 1990, with notable early roles in Snatch (2000) and Gangs of New York (2002), before his breakthrough as Andrew "Combo" Gascoigne in This Is England (2006). On television, Graham reprised his role as Combo in This Is England '86, This Is England '88, and This Is England '90. He also starred in the drama Little Boy Blue, the fifth series of Line of Duty, the HBO series Boardwalk Empire, the BBC drama Time, and the sixth series of Peaky Blinders. He created, co-wrote, and executive-produced the miniseries Adolescence (2025) on Netflix, in which he also appeared, and won all three nominations at the 77th Primetime Emmy Awards for it. Graham's film appearances include Tinker Tailor Soldier Spy (2011), Pirates of the Caribbean: On Stranger Tides (2011) and Pirates of the Caribbean: Dead Men Tell No Tales (2017), The Irishman (2019), Boiling Point (2021) and its sequel series of the same name (2023), and Venom: Let There Be Carnage (2021) and its sequel Venom: The Last Dance (2024). He has received nominations for seven British Academy Television Awards and one British Academy Film Award. He was appointed OBE in 2023. Description above from the Wikipedia article Stephen Graham, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Stephen Graham
Jennings
for Jennings in The Adventures of Peregrine Pickle
Suggested by Jeshisthename
This picaresque tale, first published in 1751, was Tobias Smollett’s second novel. Following the fortunes and misfortunes of the egotistical dandy Peregrine Pickle, the novel is written as a series of brief adventures with every chapter typically describing a new escapade. The novel begins with Peregrine as a young country gentleman. His mother rejects him, as do his aloof father and his dissolute, spiteful brother. Commodore Hawser Trunnion takes Peregrine under his care and raises him. Peregrine’s upbringing, education at Oxford, and journey to France, his debauchery, bankruptcy, jailing, and succession to his father’s fortune, and his final repentance and marriage to his beloved Emilia all provide scope for Smollett’s comic and caustic perspectiveon the Europe of his times. As John P. Zomchick and George S. Rousseau note in the introduction, “by contrasting the genteel and the common, the sophisticated and the primal, Smollett conveys forcefully the way it felt to be alive in the middle of the eighteenth century.”
