Age: 62
male
Armando Giovanni Iannucci is a Scottish-Italian comedian, satirist, writer, director, performer and radio producer. Born in Glasgow, he studied at Oxford University and left graduate work on a PhD about John Milton to pursue a career in comedy. Rising quickly through BBC Scotland and BBC Radio 4, his early work with Chris Morris on the radio series On the Hour was transferred to television as The Day Today. A character from this series, Alan Partridge, went on to feature in a number of Iannucci's television and radio programmes including Knowing Me, Knowing You and I'm Alan Partridge. In the meantime, Iannucci also fronted the satirical Armistice review shows and in 2001 created his most personal work, The Armando Iannucci Shows for Channel 4. Moving back to the BBC in 2005, Iannucci created the political sitcom The Thick of It as well as the spoof documentary Time Trumpet in 2006. Winning funding from the UK Film Council, he directed a critically acclaimed feature film In the Loop featuring characters from The Thick of It in 2009. As a result of these works, he has been being described by The Daily Telegraph as "the hardman of political satire".[2] Other works during this period include a operetta libretto, Skin Deep and his radio series Charm Offensive. He is currently working on a U.S. political satire for HBO called Veep.
Armando Iannucci
Director
for Director in The Adventures of Peregrine Pickle
Suggested by Jeshisthename
This picaresque tale, first published in 1751, was Tobias Smollett’s second novel. Following the fortunes and misfortunes of the egotistical dandy Peregrine Pickle, the novel is written as a series of brief adventures with every chapter typically describing a new escapade. The novel begins with Peregrine as a young country gentleman. His mother rejects him, as do his aloof father and his dissolute, spiteful brother. Commodore Hawser Trunnion takes Peregrine under his care and raises him. Peregrine’s upbringing, education at Oxford, and journey to France, his debauchery, bankruptcy, jailing, and succession to his father’s fortune, and his final repentance and marriage to his beloved Emilia all provide scope for Smollett’s comic and caustic perspectiveon the Europe of his times. As John P. Zomchick and George S. Rousseau note in the introduction, “by contrasting the genteel and the common, the sophisticated and the primal, Smollett conveys forcefully the way it felt to be alive in the middle of the eighteenth century.”
