
Age: 28
male
Jacob Elordi (born 26 June 1997) is an Australian actor. After moving to Los Angeles in 2017 to pursue an acting career, he gained prominence with his role as Noah Flynn, the bad boy love interest, in Netflix's The Kissing Booth film series (2018–2021). He also became known for his role as troubled high school football player Nate Jacobs in HBO's teen drama series Euphoria (2019–present). In 2023, he starred as Elvis Presley in the biographical film Priscilla and as a wealthy university student in Saltburn, which earned him a nomination for the BAFTA Award for Best Actor in a Supporting Role. Description above from the Wikipedia article Jacob Elordi, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Verona, Italy. Seventeen-year-old aspiring artist Romeo dreams of a quiet life with someone who loves him just as he is. But as the heir to the Montague family, he is expected to give up his "womanly" artistic pursuits and uphold the family honor―particularly in their centuries-old blood feud with a rival family, the Capulets. Worse still, he is also expected to marry a well-bred girl approved by his parents and produce heirs. But the more Romeo is forced to mingle with eligible maidens, the harder it is to keep his deepest secret: He only feels attracted to other boys. In an attempt to forget his troubles for just one night, Romeo joins his cousin in sneaking into a Capulet party. During a fateful encounter in the garden, he meets the kindest, most beautiful boy he's ever met, and is shocked to learn he's Valentine, the younger brother of one of his closest friends. He is even more shocked to discover that Valentine is just as enamored with Romeo as Romeo is with him. So begins a tender romance that the boys must hide from their families and friends, each of them longing for a world where they could be together without fear. And as the conflict between the Montagues and Capulets escalates out of control, Romeo and Valentine find themselves in danger of losing each other forever―if not by society's scorn, then by the edge of a blade.



