
Age: 68
male
Ethan Jesse Coen (born September 21, 1957) is an American filmmaker, working with his brother, Joel Coen, together known as the Coen brothers(/ˈkoʊən/). Their films span many genres and styles, which they frequently subvert or parody. Among their most acclaimed works are Blood Simple (1984), Raising Arizona (1987), Miller's Crossing (1990), Barton Fink (1991), Fargo (1996), The Big Lebowski (1998), O Brother, Where Art Thou? (2000), No Country for Old Men (2007), A Serious Man (2009), True Grit (2010) and Inside Llewyn Davis (2013). The brothers generally write, direct and produce their films jointly. However, due to regulations, Joel received sole directing credit while Ethan received sole production credit until The Ladykillers (2004). From then on, they would be credited as directors and producers and shared editing credits under the alias Roderick Jaynes. The duo started directing separately in the 2020s, resulting in Joel's The Tragedy of Macbeth (2021), Ethan's Jerry Lee Lewis: Trouble in Mind (2022) and Drive-Away Dolls (2024). Together, they have been nominated for 13 Academy Awards and one individual nomination. They share Best Original Screenplay for Fargo and Best Picture, Best Director and Best Adapted Screenplay for No Country for Old Men. They won the Palme d'Or for Barton Fink at the 1991 Cannes Film Festival. The Coens have written films for other directors, including Sam Raimi's Crimewave (1985), Angelina Jolie's World War II biopic Unbroken (2014) and Steven Spielberg's Cold War drama Bridge of Spies (2015). They produced Terry Zwigoff's Bad Santa (2003) and John Turturro's Romance and Cigarettes (2005). Ethan is also a writer of short stories, theatre and poetry. They are known for their distinctive stylistic trademarks, including genre hybridity. No Country for Old Men, A Serious Man and Inside Llewyn Davis was included in the BBC's 2016 poll of the greatest motion pictures since 2000. In 1998, the American Film Institute (AFI) ranked Fargo among the 100 greatest American movies. Richard Corliss wrote of the Coens: "Dexterously flipping and reheating old movie genres like so many pancakes, they serve them up fresh, not with syrup but with a coating of comic arsenic." Description above from the Wikipedia article Coen brothers, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Ethan Coen

Director
for Director in Swordsmoke: Hunters & Prey
Suggested by underworld_stories

A ruined shoreline burns under a black sky. The remnants of Ghost’s base smolder as waves crash against debris. Norman Ryder rises from the wreckage, bloodied but standing. Across the sand, Hunters line up behind Daryl Manson, weapons raised. James struggles nearby. Norman pulls him up just as rifles lock onto them. Norman reaches for his gun—gone. Daryl smirks. No more chances. He tells Norman this ends now—Ghost dies here. James and Norman exchange a glance. No plan. No weapons. Norman steps forward anyway. He tells Daryl he will never be a true Hunter—and there won’t be another tyrant after him. Daryl laughs. Norman nods. A shot rings out. Killshot stands behind Daryl, rifle smoking. Daryl collapses, dropping Norman’s old bat. Norman grabs it and unleashes everything—strike after strike, years of rage crashing down. He turns to the Hunters and roars: if they follow anyone, it’s him. Daryl crawls, barely alive. A boot slams onto his back. Marc. Norman raises the bat to finish it—but Marc stops him. Killing Daryl changes nothing. Keeping him alive sends a message. They need leverage against Wraith. Norman refuses. Daryl deserves death. James agrees. Marc doesn’t bend. Daryl lives—in a cell, forever. Norman swings anyway. Marc knocks him back. Mitch and Ellie arrive as the tension fractures the group. Norman stands, breathing heavy, then makes his choice. He won’t follow Marc anymore. The Hunters will answer to him—and they’ll fight Wraith their own way. First, he’ll help Tobey find his sister. Marc warns him he’s making a mistake. Norman doesn’t look back. He walks into the fire with the Hunters behind him.