Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ana de Armas
Camille Ashwood
for Camille Ashwood in Swift and Saddled
Suggested by brianalemons
The last thing Ada Hart needs is a man to take care of her. Not anymore. After failing out of her interior design program and the disaster that was her short-lived marriage, Ada clawed her way up from her rock bottom. Now, the only person she trusts is herself, and that has gotten her further than ever before. She has her own business, and one of the largest ranches in Wyoming just hired her for the most important project of her career. When Ada arrives in Meadowlark, she finds herself in a dive bar where she can’t seem to shake the eyes of a handsome cowboy. When she leads him to the back of the bar, he leaves her with a kiss that most people can only fantasize about. She almost regrets that she’ll never see him again . . . except it turns out he’s her new boss. Weston Ryder is a happy guy. Even happier now that the mystery woman from the bar is the interior designer for his dream project on his family’s ranch. He feels like he hit the jackpot. It’s too bad she wants absolutely nothing to do with him outside of work. Ada is convinced the pull she feels toward Wes will go away, but Wes can’t stop thinking about her. Even though walls are coming down around Rebel Blue, Ada’s walls are firmly in place. Can they make it through this project without giving in? Or will they both put their dreams on the line for a chance at love?
