Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ana de Armas
Lucy Lane
for Lucy Lane in Superwoman: Last Daughter of Krypton
Suggested by antiquepig
An alternate Earth, where things are not as they are on Earth-1. Kel-Zel was sent away from her home-world of Krypton only minutes before its destruction by her father, who hoped she would escape the destruction and live a good life. She landed on planet Earth in the state of Florida, and was adopted by the Lane family, being given the name Lois. Years later, now an adult, she works as a reporter for the Daily Planet of Coastal City, but due to her Kryptonian origins, also has incredible superpowers she uses to help people and stop evil as the Superwoman. When an alien threat called Mo-Gull comes to Earth, vowing to kill any living remnants of Krypton, Superwoman must step-up and fight, not only for her own survival, but for the survival of anyone else in Mo-Gull's way.
