Age: 32
female
Hannah Dakota Fanning (born February 23, 1994) is an American actress. She rose to prominence at the age of seven for her performance as Lucy Dawson in the drama film I Am Sam (2001), for which she received a Screen Actors Guild Award nomination at the age of eight, making her the youngest nominee in SAG history. Fanning played major roles as a child actress in the films Uptown Girls (2003), The Cat in the Hat (2003), Man on Fire (2004), War of the Worlds (2005), Dreamer (2005), and Charlotte's Web (2006), and the eponymous character in Coraline (2009). Fanning followed with more mature roles, playing Lewellen in Hounddog (2007), Lily in The Secret Life of Bees (2008), Cherie Currie in The Runaways (2010) and Jane in The Twilight Saga (2009–2012). Throughout the 2010s, she continued appearing in independent productions such as the dramas Now Is Good (2012) and Night Moves (2013), the comedy-drama Very Good Girls (2013), and the biographical film Effie Gray (2014). In 2018, she appeared in the heist comedy Ocean's 8 and had a starring role in the period drama series The Alienist. She has since portrayed Manson girl Squeaky Fromme in the Quentin Tarantino film Once Upon a Time in Hollywood (2019) and First Daughter Susan Ford in the Showtime biographical drama series The First Lady (2022).
The dream chooses the dreamer, not the other way around—and Lazlo Strange, war orphan and junior librarian, has always feared that his dream chose poorly. Since he was five years old he’s been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it. Then a stunning opportunity presents itself, in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever. What happened in Weep two hundred years ago to cut it off from the rest of the world? What exactly did the Godslayer slay that went by the name of god? And what is the mysterious problem he now seeks help in solving? The answers await in Weep, but so do more mysteries—including the blue-skinned goddess who appears in Lazlo’s dreams. How did he dream her before he knew she existed? And if all the gods are dead, why does she seem so real?
