
Age: 28
female
Mary Elle Fanning (born April 9, 1998) is an American actress. As a child, she made her film debut as the younger version of her sister Dakota Fanning's character in the drama film I Am Sam (2001). She appeared in several other films as a child actress, including Daddy Day Care (2003), Babel (2006), The Curious Case of Benjamin Button and Phoebe in Wonderland (both 2008), and the miniseries The Lost Room (2006). She then had leading roles in Sofia Coppola's drama Somewhere (2010) and J. J. Abrams' science fiction film Super 8 (2011). Fanning played Princess Aurora in the fantasy films Maleficent (2014) and Maleficent: Mistress of Evil (2019) while working in independent films such as Sally Potter's Ginger & Rosa (2012), Nicolas Winding Refn's The Neon Demon (2016), Mike Mills' 20th Century Women (2016), and Coppola's The Beguiled (2017). From 2020 to 2023, she starred as Catherine the Great in the Hulu period satire series The Great, for which she received nominations for a Primetime Emmy Award and two Golden Globe Awards. She has since portrayed Michelle Carter in the Hulu limited series The Girl from Plainville (2022), made her Broadway debut in the play Appropriate (2023), and played a character based on Suze Rotolo in the biographical drama A Complete Unknown (2024). Description above from the Wikipedia article Elle Fanning, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The dream chooses the dreamer, not the other way around—and Lazlo Strange, war orphan and junior librarian, has always feared that his dream chose poorly. Since he was five years old he’s been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it. Then a stunning opportunity presents itself, in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever. What happened in Weep two hundred years ago to cut it off from the rest of the world? What exactly did the Godslayer slay that went by the name of god? And what is the mysterious problem he now seeks help in solving? The answers await in Weep, but so do more mysteries—including the blue-skinned goddess who appears in Lazlo’s dreams. How did he dream her before he knew she existed? And if all the gods are dead, why does she seem so real?

