Sofia Boutella

Age: 44

female

Sofia Boutella (born April 3, 1982) is an Algerian dancer, model, and actress. She is known mainly for her hip-hop and street dance, and for appearing in Nike Women's advertising campaigns. Boutella has starred as Gazelle in Kingsman: The Secret Service (2015), an alien warrior named Jaylah in Star Trek Beyond (2016), and the main antagonist, Princess Ahmanet, in Universal's Dark Universe film The Mummy. Also in 2017, she starred alongside Charlize Theron in Atomic Blonde, the film adaptation of the graphic novel The Coldest City, as undercover French agent Delphine Lasalle. Sofia Boutella was born in the Bab El Oued district of Algiers, Algeria, to an architect mother and a jazz musician father, Safy Boutella. Her brother, Seif, works as a visual effects artist in the entertainment industry. Her surname means 'the men of the mountains'. She was raised in a fairly secular household that cultivated artistic expression and creativity. In 1992, at the age of 10, she left Algeria with her family in the midst of the Algerian Civil War and moved to France. Shortly thereafter, she started rhythmic gymnastics, joining the French national team at age 18.

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Fan Casting

Sofia Boutella

Morgan Webb

for Morgan Webb in Stan Lee Biography

Suggested by mattjackson1

Stan Lee Biography

Stan Lee[1] (born Stanley Martin Lieber /ˈliːbər/, December 28, 1922 – November 12, 2018) was an American comic-book writer, editor, producer, and publisher. He was the editor-in-chief of Marvel Comics,[2] and later its publisher[3] and chairman,[4] leading its expansion from a small division of a publishing house to a large multimedia corporation. In collaboration with several artists—particularly Jack Kirby and Steve Ditko—he co-created fictional characters including Spider-Man, the Hulk, Doctor Strange, the Fantastic Four, Daredevil, Black Panther, the X-Men, and—with co-writer Larry Lieber—the characters Ant-Man, Iron Man, and Thor. In doing so, he pioneered a more complex approach to writing superheroes in the 1960s, and in the 1970s challenged the standards of the Comics Code Authority, indirectly leading to it updating its policies.

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