Age: 87
male
Harvey Johannes Keitel (born May 13, 1939) is an American actor known for his portrayal of morally ambiguous and "tough guy" characters. He rose to prominence during the New Hollywood movement, and has held a long-running association with director Martin Scorsese, starring in six of his films: Who's That Knocking at My Door (1967), Mean Streets (1973), Alice Doesn't Live Here Anymore (1974), Taxi Driver (1976), The Last Temptation of Christ (1988), and The Irishman (2019). Keitel received the Academy Award for Best Supporting Actor nomination for his portrayal of Mickey Cohen in Bugsy (1991). He won the AACTA Award for Best Actor in a Leading Role for The Piano (1993). Other films include Blue Collar (1978), Thelma & Louise (1991), Reservoir Dogs (1992), Bad Lieutenant (1992), Pulp Fiction (1994), From Dusk till Dawn (1996), Holy Smoke! (1998), Cop Land (1997), and Youth (2015). He has acted in the Wes Anderson films Moonrise Kingdom (2012), The Grand Budapest Hotel (2014), and Isle of Dogs (2018). He played FBI Agent Peter Sadusky in both National Treasure (2004), and National Treasure: Book of Secrets (2006) and reprised his role in the Disney+ series National Treasure: Edge of History (2022). From 1995 to 2017, he was a co-president of the Actors Studio, alongside Al Pacino and Ellen Burstyn.
Stan Lee[1] (born Stanley Martin Lieber /ˈliːbər/, December 28, 1922 – November 12, 2018) was an American comic-book writer, editor, producer, and publisher. He was the editor-in-chief of Marvel Comics,[2] and later its publisher[3] and chairman,[4] leading its expansion from a small division of a publishing house to a large multimedia corporation. In collaboration with several artists—particularly Jack Kirby and Steve Ditko—he co-created fictional characters including Spider-Man, the Hulk, Doctor Strange, the Fantastic Four, Daredevil, Black Panther, the X-Men, and—with co-writer Larry Lieber—the characters Ant-Man, Iron Man, and Thor. In doing so, he pioneered a more complex approach to writing superheroes in the 1960s, and in the 1970s challenged the standards of the Comics Code Authority, indirectly leading to it updating its policies.
