Age: 50
male
Cillian Murphy (born May 25, 1976) is an Irish actor. He made his professional debut in Enda Walsh's 1996 play Disco Pigs, a role he later reprised in the 2001 screen adaptation. His early notable film credits include the horror film 28 Days Later (2002), the dark comedy Intermission (2003), the thriller Red Eye (2005), the Irish war drama The Wind That Shakes the Barley (2006), and the science fiction thriller Sunshine (2007). He played a transgender Irish woman in the comedy-drama Breakfast on Pluto (2005), which earned him a Golden Globe Award nomination. Murphy began collaborating with filmmaker Christopher Nolan in 2005, playing Dr. Jonathan Crane / Scarecrow in The Dark Knight Trilogy (2005–2012) as well as appearing in Inception (2010) and Dunkirk (2017) and portraying the lead role of J. Robert Oppenheimer in the biographical epic Oppenheimer (2023). By the year 2023, Murphy has already worked with Nolan for around 20 years and six films. He also gained prominence for his role as Tommy Shelby in the BBC period drama series Peaky Blinders (2013–2022) and for starring in the horror sequel A Quiet Place Part II (2020). In 2011, Murphy won the Irish Times Theatre Award for Best Actor and Drama Desk Award for Outstanding Solo Performance for the one-man play Misterman. In 2020, The Irish Times named him one of the greatest Irish film actors.
Stan Lee[1] (born Stanley Martin Lieber /ˈliːbər/, December 28, 1922 – November 12, 2018) was an American comic-book writer, editor, producer, and publisher. He was the editor-in-chief of Marvel Comics,[2] and later its publisher[3] and chairman,[4] leading its expansion from a small division of a publishing house to a large multimedia corporation. In collaboration with several artists—particularly Jack Kirby and Steve Ditko—he co-created fictional characters including Spider-Man, the Hulk, Doctor Strange, the Fantastic Four, Daredevil, Black Panther, the X-Men, and—with co-writer Larry Lieber—the characters Ant-Man, Iron Man, and Thor. In doing so, he pioneered a more complex approach to writing superheroes in the 1960s, and in the 1970s challenged the standards of the Comics Code Authority, indirectly leading to it updating its policies.
