
Age: 55
male
Jonathan Daniel Hamm (born March 10, 1971) is an American actor. He is best known for his role as Don Draper in the period drama series Mad Men (2007–2015), for which he won numerous accolades, including a Primetime Emmy Award and two Golden Globe Awards. Hamm also acted in lead roles in the films Stolen (2010), Million Dollar Arm (2014), Keeping Up with the Joneses (2016), Beirut (2018), and Confess, Fletch (2022), as well as his supporting roles in The Town (2010), Sucker Punch (2011), Bridesmaids (2011), Baby Driver (2017), Tag (2018), Bad Times at the El Royale (2018), The Report (2019), Richard Jewell (2019), No Sudden Move (2021), and Top Gun: Maverick (2022). He also provided voice acting roles in the animated films Shrek Forever After (2010), Minions (2015), and Transformers One (2024). He has appeared in the Sky Arts series A Young Doctor's Notebook, the Channel 4 dystopian anthology series Black Mirror, the Amazon Prime fantasy series Good Omens, the FX superhero series Legion (2018), and the FX crime anthology series Fargo. He was Emmy-nominated for his roles in 30 Rock, Unbreakable Kimmy Schmidt, and The Morning Show. He has also acted in Parks and Recreation and Curb Your Enthusiasm. Description above from the Wikipedia article Jon Hamm, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Stan Lee[1] (born Stanley Martin Lieber /ˈliːbər/, December 28, 1922 – November 12, 2018) was an American comic-book writer, editor, producer, and publisher. He was the editor-in-chief of Marvel Comics,[2] and later its publisher[3] and chairman,[4] leading its expansion from a small division of a publishing house to a large multimedia corporation. In collaboration with several artists—particularly Jack Kirby and Steve Ditko—he co-created fictional characters including Spider-Man, the Hulk, Doctor Strange, the Fantastic Four, Daredevil, Black Panther, the X-Men, and—with co-writer Larry Lieber—the characters Ant-Man, Iron Man, and Thor. In doing so, he pioneered a more complex approach to writing superheroes in the 1960s, and in the 1970s challenged the standards of the Comics Code Authority, indirectly leading to it updating its policies.






