Died at 58
male
Philip Seymour Hoffman (July 23, 1967 – February 2, 2014) was an American actor, director, and producer. Best known for his distinctive supporting and character roles–typically lowlifes, eccentrics, bullies, and misfits—Hoffman acted in many films, including leading roles, from the early 1990s until his death in 2014. Drawn to theater as a teenager, Hoffman studied acting at New York University's Tisch School of the Arts. He began his screen career in a 1991 episode of Law & Order and started to appear in films in 1992. He gained recognition for his supporting work, notably in Scent of a Woman (1992), Boogie Nights (1997), Happiness (1998), Patch Adams (1998), The Big Lebowski (1998), Magnolia (1999), The Talented Mr. Ripley (1999), Almost Famous (2000), Punch-Drunk Love (2002), and Along Came Polly (2004). He began to occasionally play leading roles, and for his portrayal of the author Truman Capote in Capote (2005), won multiple accolades, including the Academy Award for Best Actor. Hoffman's profile continued to grow and he received three more Oscar nominations for his supporting work as a brutally frank CIA officer in Charlie Wilson's War (2007), a priest accused of pedophilia in Doubt (2008), and the charismatic leader of a Scientology-type movement in The Master (2012). While he mainly worked in independent films, including The Savages (2007) and Synecdoche, New York (2008), Hoffman also appeared in Flawless (1999), and Hollywood blockbusters such as Twister (1996) and Mission: Impossible III (2006), and in one of his final roles, as Plutarch Heavensbee in the Hunger Games series (2013–15). The feature Jack Goes Boating (2010) marked his debut as a filmmaker. Hoffman was also an accomplished theater actor and director. He joined the off-Broadway LAByrinth Theater Company in 1995, where he directed, produced, and appeared in numerous stage productions. His performances in three Broadway plays—True West in 2000, Long Day's Journey into Night in 2003, and Death of a Salesman in 2012—all led to Tony Award nominations.
Mio Hudson and Zoe Foster are writers invited by a company called Rader Publishing to test out an experimental simulation device along with four other writers. While the eccentric Zoe sees this as an opportunity to be published as a real author, the reserved Mio is only interested in the payout. CEO J.D. Rader introduces “The Machine”, which allows occupants to experience the stories they submitted as reality. As the Machine starts up, each occupant is encased in a bubble and placed into suspended animation while they experience their story. Suspicious of the experiment and Rader's motives, Mio panics and tries to back out; however, Rader forces her to stay, and a scuffle leads her to inadvertently fall into Zoe’s bubble.
