Age: 61
female
Marisa Tomei (born December 4, 1964) is an American actress. She has received various accolades, including an Academy Award and nominations for two further Academy Awards, a BAFTA Award, two Golden Globe Awards, and three Screen Actors Guild Awards. After working on the television series As the World Turns, Tomei came to prominence as a cast member on The Cosby Show spin-off A Different World in 1987. After having minor roles in a few films, she came to international attention in 1992 with the comedy, My Cousin Vinny, for which she received the Academy Award for Best Supporting Actress. She received two additional Academy Award nominations for In the Bedroom (2001) and The Wrestler (2008). Tomei has appeared in a number of successful movies, including What Women Want (2000), Anger Management (2003), Wild Hogs (2007), The Ides of March (2011), and Parental Guidance (2012). She also portrayed May Parker in the Marvel Cinematic Universe, having appeared in Captain America: Civil War (2016), Spider-Man: Homecoming (2017), Avengers: Endgame (2019), Spider-Man: Far From Home (2019), and Spider-Man: No Way Home (2021). Tomei has also worked in theater. She was formerly involved with the Naked Angels Theater Company and appeared in plays, such as Daughters (1986), Wait Until Dark (1998), Top Girls (2008), for which she received a nomination for the Drama Desk Award for Outstanding Featured Actress in a Play, and The Realistic Joneses (2014), for which she received a special award at the Drama Desk Awards.
Marisa Tomei
![Aunt May [ Flashbacks]](https://assets.mycast.io/assets/mycast/images/empty_1x.png)
Aunt May [ Flashbacks]
for Aunt May [ Flashbacks] in Spiderman:new day
Suggested by Spidermaj
After the events of Brand New Day, Peter Parker finds himself reset once again — not as a forgotten hero, but as a fractured one. In a New York that remembers Spider-Man in pieces, Peter must rebuild his life from scattered relationships, uncertain memories, and a reputation that never fully stabilizes. But while Peter tries to live a normal life again, something deeper is growing beneath the city. A new wave of crime emerges — not organized by empires, but driven by experiments, instability, and science gone wrong. At the center of it all is The Jackal, a former scientist whose obsession with rewriting life itself turns New York into a testing ground for human reconstruction. Meanwhile, street-level chaos rises through brutal enforcers like Rhino, forcing Spider-Man into a war on two fronts: * one physical, raw, and violent * one psychological, built on identity, memory, and what it means to be real As Gwen Stacy enters Peter’s life and MJ drifts further into emotional distance, Peter begins to question whether his “new life” is truly a fresh start… or just another version of the same cycle repeating. In New Days, Spider-Man isn’t just fighting villains — he’s fighting the idea that people, including himself, can be rebuilt into something else entirely.
