Age: 58
male
Isaac Liev Schreiber (/ˈliːɛv ˈʃraɪbər/ LEE-ev SHRY-bər; born October 4, 1967) is an American actor. He has received numerous accolades, including a Tony Award and nominations for nine Primetime Emmy Awards and five Golden Globe Awards. Schreiber's early film roles include Mixed Nuts (1994), Party Girl (1995), The Daytrippers (1996), and Big Night (1996). He appeared in the first three Scream horror films (1996–2000), Ransom (1996), The Hurricane (1999), Hamlet (2000), Kate & Leopold (2001), The Manchurian Candidate (2004), The Painted Veil (2006), X-Men Origins: Wolverine (2009), Pawn Sacrifice (2014), and Spotlight (2015). He acted in the Wes Anderson films Isle of Dogs (2018), The French Dispatch (2021), and Asteroid City (2023). He made his directorial film debut with Everything Is Illuminated (2005). He made his Broadway debut in In the Summer House (1992). He earned the Tony Award for Best Featured Actor in a Play for playing Richard Roma in the David Mamet play Glengarry Glen Ross (2005). He was Tony-nominated for his roles in the Eric Bogosian play Talk Radio (2007), the Arthur Miller revival A View from the Bridge (2010) and the John Patrick Shanley revival Doubt (2024). He also acted in Les Liaisons Dangereuses (2016). For his television roles, he most notably portrayed the titular character in the Showtime drama series Ray Donovan (2013–2020). He reprised the role in the television film Ray Donovan: The Movie (2022). The role has earned him nominations for three Primetime Emmy Awards and four Golden Globe Awards. He also portrayed Orson Welles in the HBO film RKO 281 (1999) and Otto Frank in the Nat Geo miniseries A Small Light (2023). Description above from the Wikipedia article Liev Schreiber, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Liev Schreiber
Aleksei Sytsevich
for Aleksei Sytsevich in Spiderman:new day
Suggested by Spidermaj
After the events of Brand New Day, Peter Parker finds himself reset once again — not as a forgotten hero, but as a fractured one. In a New York that remembers Spider-Man in pieces, Peter must rebuild his life from scattered relationships, uncertain memories, and a reputation that never fully stabilizes. But while Peter tries to live a normal life again, something deeper is growing beneath the city. A new wave of crime emerges — not organized by empires, but driven by experiments, instability, and science gone wrong. At the center of it all is The Jackal, a former scientist whose obsession with rewriting life itself turns New York into a testing ground for human reconstruction. Meanwhile, street-level chaos rises through brutal enforcers like Rhino, forcing Spider-Man into a war on two fronts: * one physical, raw, and violent * one psychological, built on identity, memory, and what it means to be real As Gwen Stacy enters Peter’s life and MJ drifts further into emotional distance, Peter begins to question whether his “new life” is truly a fresh start… or just another version of the same cycle repeating. In New Days, Spider-Man isn’t just fighting villains — he’s fighting the idea that people, including himself, can be rebuilt into something else entirely.
