Age: 62
female
Elisabeth Judson Shue (born October 6, 1963) is an American actress, best known for her starring roles in the films The Karate Kid (1984), Adventures in Babysitting (1987), Cocktail (1988), Back to the Future Part II (1989), Back to the Future Part III (1990), Soapdish (1991), Leaving Las Vegas (1995), The Saint (1997), Hollow Man (2000), and Piranha 3D (2010). She has won several acting awards and has been nominated for an Academy Award, a Golden Globe and a BAFTA. She starred as Julie Finlay in the CBS procedural forensics crime drama CSI: Crime Scene Investigation from 2012 to 2015. More recently she had supporting roles in Battle of the Sexes (2017) and Death Wish (2018). She was also a series regular in the first season of the Amazon series The Boys (2019).
Elisabeth Shue
Mrs. Stone
for Mrs. Stone in Spider-Man: Surge of Vengeance
Suggested by matthewfenner
Three months into his life as Spider-Man, Peter Parker is still learning what it means to be a hero — and how much it’s already cost him. Still reeling from Uncle Ben’s death, Peter struggles to balance his double life as a broke high school student and a masked vigilante hunted by both criminals and the police. When an Oscorp electrical engineer named Max Dillon is caught in a catastrophic accident that turns him into a living conduit of raw energy, New York becomes a city on edge. Transformed by pain and rejection, Max becomes Electro, a man who can manipulate power itself — and who blames Spider-Man for the chaos that defines his existence. Spider-Man: Surge of Vengeance dives into the raw, violent heart of Peter’s first year behind the mask. As Electro electrifies the city’s grid, turning Manhattan into a neon battlefield, Peter faces a new kind of enemy — not just superpowered, but human, scarred, and driven by the same anger that once defined him. The R-rated intensity lays bare the consequences of heroism: shattered bones, burned skin, and moral lines crossed in the name of survival. In the film’s harrowing climax, Peter must choose between saving the city that fears him and saving the man who mirrors his own broken soul — proving that being Spider-Man isn’t about power, but the price you’re willing to pay for it.
