Age: 68
male
Hans Florian Zimmer (born 12 September 1957) is a German film score composer and music producer. He has won two Oscars, four Grammys, and has been nominated for three Emmys and a Tony. Zimmer was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph in 2007. His works are notable for integrating electronic music sounds with traditional orchestral arrangements. Since the 1980s, Zimmer has composed music for over 150 films. He has won two Academy Awards for Best Original Score for The Lion King (1994) and for Dune (2021). His works include Gladiator, The Last Samurai, the Pirates of the Caribbean series, The Dark Knight trilogy, Inception, Man of Steel, Interstellar, Dunkirk, No Time to Die, and the Dune series. Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks Pictures and DreamWorks Animation studios and works with other composers through the company that he founded, Remote Control Productions, formerly known as Media Ventures. His studio in Santa Monica, California, has an extensive range of computer equipment and keyboards, allowing demo versions of film scores to be created quickly. Zimmer has collaborated on multiple projects with directors including Christopher Nolan, Ridley Scott, Ron Howard, Gore Verbinski, Michael Bay, Guy Ritchie, Denis Villeneuve, and Tony Scott. Description above from the Wikipedia article Hans Zimmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Hans Zimmer
Composer
for Composer in Spider-Man: Surge of Vengeance
Suggested by matthewfenner
Three months into his life as Spider-Man, Peter Parker is still learning what it means to be a hero — and how much it’s already cost him. Still reeling from Uncle Ben’s death, Peter struggles to balance his double life as a broke high school student and a masked vigilante hunted by both criminals and the police. When an Oscorp electrical engineer named Max Dillon is caught in a catastrophic accident that turns him into a living conduit of raw energy, New York becomes a city on edge. Transformed by pain and rejection, Max becomes Electro, a man who can manipulate power itself — and who blames Spider-Man for the chaos that defines his existence. Spider-Man: Surge of Vengeance dives into the raw, violent heart of Peter’s first year behind the mask. As Electro electrifies the city’s grid, turning Manhattan into a neon battlefield, Peter faces a new kind of enemy — not just superpowered, but human, scarred, and driven by the same anger that once defined him. The R-rated intensity lays bare the consequences of heroism: shattered bones, burned skin, and moral lines crossed in the name of survival. In the film’s harrowing climax, Peter must choose between saving the city that fears him and saving the man who mirrors his own broken soul — proving that being Spider-Man isn’t about power, but the price you’re willing to pay for it.
