Age: 66
male
Bradley Whitford (born October 10, 1959) is an American actor and producer. He is best known for his portrayal of White House Deputy Chief of Staff Josh Lyman in the NBC television political drama The West Wing (1999–2006), for which he was nominated for three consecutive Primetime Emmy Awards from 2001 to 2003, winning in 2001. The role earned him three consecutive Golden Globe Award nominations. In addition to The West Wing, Whitford played Danny Tripp in Studio 60 on the Sunset Strip, Dan Stark in the Fox police buddy-comedy The Good Guys, Timothy Carter, a character who was believed to be Red John, in the CBS series The Mentalist, antagonist Eric Gordon in the film Billy Madison, Arthur Parsons in The Post, Dean Armitage in the horror film Get Out, Roger Peralta in Brooklyn Nine-Nine, President Gray in the dystopian science fiction film The Darkest Mindsand Rick Stanton in the monster film Godzilla: King of the Monsters. In 2015, he won a second Primetime Emmy Award for his role as Marcy in Transparent and later garnered a fifth nomination for portraying Magnus Hirschfeld in the same series. Since 2018, Whitford has portrayed Commander Joseph Lawrence in the Hulu dystopian drama The Handmaid's Tale, for which he won his third Primetime Emmy Award in 2019. Description above from the Wikipedia article Bradley Whitford, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Bradley Whitford
Leo Zelinsky
for Leo Zelinsky in Spider-Man: Small Time
Suggested by ringothedrummer
Yeah, yeah, we all know the story. Spider bite, uncle dies, become the hero, get the girl. Is there anything we can do to mix up the webhead's origin to make it more than a pale imitation of what's come before? How about focusing on his relationship with his uncle? Instead of dying before the half-way point of the movie, why not have Ben live until the third act? Why not focus on realism? Spider-man can still crack jokes, but why not make New York look like real-life New York, warts and all? Why not take out Supervillains and have Spider-Man fight gangbangers and organized crime? Why not focus on the time between Spider-Man developing his powers and Spider-Man confronting his uncle's killer in real time, rather than just making it a plot point? Why do we need a love interest either? We can make a cool Spider-Man film without a love story. Why not show Spider-Man Small Time?
