Age: 66
male
Samuel Marshall Raimi (/ˈreɪmi/ RAY-mee; born October 23, 1959) is an American filmmaker. He is best known for writing and directing the Evil Dead trilogy (1981–1992) and directing the Spider-Man trilogy (2002–2007). He also directed Darkman (1990), The Quick and the Dead (1995), A Simple Plan (1998), The Gift (2000), Drag Me to Hell (2009), Oz the Great and Powerful (2013), and Doctor Strange in the Multiverse of Madness (2022). His films are known for their highly dynamic visual style, inspired by comic books and slapstick comedy. He founded the production companies Renaissance Pictures in 1979 and Ghost House Pictures in 2002. Raimi has also produced several successful television series, including Hercules: The Legendary Journeys (1995–1997), its spin-off Xena: Warrior Princess (1995–2001), and Ash vs Evil Dead (2015–2018) starring longtime friend and collaborator Bruce Campbell, reprising his role in the Evil Dead franchise. Description above from the Wikipedia article Sam Raimi, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Sam Raimi
Director
for Director in Spider-Man: Lost in Illusion (A Sam Raimi Film)
Suggested by kaueoliveira
The film is a psychological horror-adventure. Peter Parker is not a high-tech Avenger; he is a broke, sleep-deprived college student in a sun-drenched, timeless New York. He is struggling to maintain his sanity as the city turns against him, fueled by a smear campaign led by J. Jonah Jameson. The villain is Quentin Beck (Mysterio), a disgraced special effects wizard and stuntman who was fired from the movie industry for endangering lives. Obsessed with fame and "creating the ultimate scene," Beck uses hallucinogenic gas and practical effects to frame Spider-Man. The "Raimi Touch" comes into play when the gas hits: Peter is trapped in surreal, Evil Dead-style nightmare sequences where he fights giant versions of his guilt (Uncle Ben, the spider that bit him). The film questions the nature of heroism in a world of "fake news" and smoke and mirrors. It culminates in a battle in a funhouse mirror maze where Peter must trust his Spider-Sense (blindfolded) to distinguish the man from the monster.
