Age: 58
male
Alfred Gough (/ˈɡɒf/ GOF; born August 22, 1967) is an American screenwriter, producer, writer, director, showrunner and creator. He is the developer of The WB/The CW's Superman-prequel television series Smallville. Alongside longtime writing/producing partner Miles Millar, Gough co-created other television programs like AMC's 2015 wuxia-influenced dystopian television series Into the Badlands, MTV's 2016 epic fantasy television series The Shannara Chronicles (based on The Sword of Shannara Trilogy book trilogy by Terry Brooks) and Netflix's Wednesday, the Tim Burton-helmed Addams Family spin-off. Among his feature film credits he wrote or produced are Shanghai Noon and its sequel Shanghai Knights, Spider-Man 2, The Mummy: Tomb of the Dragon Emperor, Herbie: Fully Loaded, Hannah Montana: The Movie and Burton's Beetlejuice Beetlejuice. Description above from the Wikipedia article Alfred Gough, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Set in the year 2030, this R-Rated Spider-Man film takes place in an alternate Raimiverse where the age of heroes has faded into myth. Peter Parker, scarred by decades of loss and haunted by Mary Jane’s death from cancer two years prior, lives in quiet isolation—his body broken, his spirit hollow. But when a rip in reality opens above New York, Peter is forced back into the web. From it emerges Parallel—Luke Bryan, a being from a dying universe who seeks to collapse all realities into one perfect existence, no matter how many worlds must burn to make it happen. As fragments of dimensions collide, ghosts of the past return in twisted forms, forcing Peter to confront the cost of his own heroism. When the remnants of the Avengers—older, fractured, and long disbanded—are drawn back together to stop Parallel’s multiversal annihilation, Peter becomes their emotional core, the last man still willing to believe in redemption. The battle rages across collapsing worlds, from the crumbling towers of New York to the void between universes, as Spider-Man faces not only Parallel but the reflection of every mistake he’s ever made. In the end, Peter must make the ultimate sacrifice—choosing between restoring the Multiverse or saving the last remnants of the life he’s lost—proving that even in a broken world, the meaning of power and responsibility never dies.
