Age: 58
male
Michael Giacchino (/dʒəˈkiːnoʊ/ jə-KEE-noh; Italian: [dʒakˈkiːno]; born October 10, 1967) is an American film, television, and video game score composer. He has received many accolades for his work, including an Academy Award for Up (2009), an Emmy for Lost (2004), and three Grammy Awards. Giacchino is known for his collaborations with directors J. J. Abrams, Brad Bird, Matt Reeves, Pete Docter, Colin Trevorrow, Jon Watts, Gareth Edwards, Drew Goddard, J. A. Bayona, The Wachowskis, Taika Waititi, and Thomas Bezucha. His film scores include several films from the Mission: Impossible, Jurassic World, Marvel Cinematic Universe, Star Trek reboot series, eight Pixar Animation Studios films, multiple Disney films, Rogue One, The Batman, and several other films. He also composed the score for the video game series Medal of Honour and Call of Duty and the television series Alias, Lost, and Fringe. In 2018, he ventured into directing and, in 2022, directed the Marvel Studios Disney+ special Werewolf by Night. Description above from the Wikipedia article Michael Giacchino, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Michael Giacchino
Composer
for Composer in Spider-Man: Far From Home (Update!)
Suggested by s105042
Peter Parker's relaxing European vacation takes an unexpected turn when Nick Fury shows up in his hotel room to recruit him for a mission. The world is in danger as Mysterio and his four massive elemental creatures -- each representing Earth, air, water and fire -- emerge from a hole torn in the universe. Parker soon finds himself donning the Spider-Man suit to help Fury and fellow dimesion Spider-Man stop the evil entities from wreaking havoc across the continent. In actuality, this Dimesion Spider-Man is Quentin Beck who's secretly a former Stark Industries holographic-illusions specialist who was fired for his unstable nature, and now leads a team of disgruntled ex-Stark employees, using advanced projector drones to simulate the Elemental attacks, masquerade as a hero, and gain control of E.D.I.T.H. so they use the orbital weaponized drones to increase the scale of their illusions.
