Age: 24
female
Sadie Elizabeth Sink (born April 16, 2002) is an American actress. She began her acting career in theatre, playing the title role in the musical Annie (2012–14) and young Elizabeth II in the historical play The Audience (2015) on Broadway. In 2016, she made her film debut in the biographical sports drama Chuck. Sink had her breakthrough portraying Max Mayfield in the Netflix science fiction series Stranger Things (2017–2025) and received critical acclaim for her performance in its fourth season. In 2021, she appeared in the horror film trilogy Fear Street and played the lead role in Taylor Swift's short film All Too Well. She then starred in Darren Aronofsky's psychological drama The Whale (2022), for which she received a Critics' Choice Movie Award nomination. Sink returned to Broadway in 2025, starring in the play John Proctor Is the Villain and earning a nomination for a Tony Award for Best Actress in a Play; the second youngest woman to achieve such.
Sadie Sink
Mary Jane Watson
for Mary Jane Watson in Spider-Man: Charge of the Rhino
Suggested by matthewfenner
Three months after the Vulture’s fall, Peter Parker and Gwen Stacy have started a new chapter at Empire State University — trying to live normal lives in a world that never lets them. But normal vanishes when New York becomes the hunting ground of a monstrous creature tearing through streets and smashing anything in its path. Witnesses call it a Rhino, a towering beast encased in unbreakable armor. As Spider-Man investigates, he uncovers the horrifying truth: the creature is Alexei Sytsevich, a former enforcer experimented on by a rogue Oscorp division using stolen bio-tech. Now more beast than man, Alexei has lost his humanity and is being weaponized by unseen forces for something far worse than chaos. Spider-Man: Charge of the Rhino is an R-rated blend of tragedy and brutality, plunging Peter into his most physically devastating battle yet. As Rhino’s rampages level the city, Peter must face the guilt of every life lost while balancing his fragile relationship with Gwen and the crushing responsibility of his double life. When he discovers Alexei’s torment — the pain of a man trapped inside the monster — Peter is forced to question how far mercy can go in a world built on suffering. In a thunderous, bone-shattering finale, Spider-Man must stop the Rhino before New York is reduced to rubble, even if it means becoming as relentless as the beast he’s trying to save.
