Age: 60
male
Max Richter (/ˈrɪxtər/; German: [ˈʁɪçtɐ]; born 22 March 1966) is a German-born British composer and pianist. He works within postminimalist and contemporary classical styles. Richter is classically trained, having graduated in composition from the University of Edinburgh and the Royal Academy of Music in London, and studied with Luciano Berio in Italy. Richter arranges, performs, and composes music for stage, opera, ballet and screen. He has collaborated with other musicians, as well as with performance, installation and media artists. He has recorded eight solo albums, and his music is widely used in cinema. As of December 2019, Richter has passed one billion streams and one million album sales. Description above from the Wikipedia article Max Richter, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Max Richter
Composer
for Composer in Spider-Man: Charge of the Rhino
Suggested by matthewfenner
Three months after the Vulture’s fall, Peter Parker and Gwen Stacy have started a new chapter at Empire State University — trying to live normal lives in a world that never lets them. But normal vanishes when New York becomes the hunting ground of a monstrous creature tearing through streets and smashing anything in its path. Witnesses call it a Rhino, a towering beast encased in unbreakable armor. As Spider-Man investigates, he uncovers the horrifying truth: the creature is Alexei Sytsevich, a former enforcer experimented on by a rogue Oscorp division using stolen bio-tech. Now more beast than man, Alexei has lost his humanity and is being weaponized by unseen forces for something far worse than chaos. Spider-Man: Charge of the Rhino is an R-rated blend of tragedy and brutality, plunging Peter into his most physically devastating battle yet. As Rhino’s rampages level the city, Peter must face the guilt of every life lost while balancing his fragile relationship with Gwen and the crushing responsibility of his double life. When he discovers Alexei’s torment — the pain of a man trapped inside the monster — Peter is forced to question how far mercy can go in a world built on suffering. In a thunderous, bone-shattering finale, Spider-Man must stop the Rhino before New York is reduced to rubble, even if it means becoming as relentless as the beast he’s trying to save.
