Age: 68
male
Hans Florian Zimmer (born 12 September 1957) is a German film score composer and music producer. He has won two Oscars, four Grammys, and has been nominated for three Emmys and a Tony. Zimmer was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph in 2007. His works are notable for integrating electronic music sounds with traditional orchestral arrangements. Since the 1980s, Zimmer has composed music for over 150 films. He has won two Academy Awards for Best Original Score for The Lion King (1994) and for Dune (2021). His works include Gladiator, The Last Samurai, the Pirates of the Caribbean series, The Dark Knight trilogy, Inception, Man of Steel, Interstellar, Dunkirk, No Time to Die, and the Dune series. Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks Pictures and DreamWorks Animation studios and works with other composers through the company that he founded, Remote Control Productions, formerly known as Media Ventures. His studio in Santa Monica, California, has an extensive range of computer equipment and keyboards, allowing demo versions of film scores to be created quickly. Zimmer has collaborated on multiple projects with directors including Christopher Nolan, Ridley Scott, Ron Howard, Gore Verbinski, Michael Bay, Guy Ritchie, Denis Villeneuve, and Tony Scott. Description above from the Wikipedia article Hans Zimmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Two weeks after his brutal battle with Sandman, Peter Parker is exhausted — physically scarred, emotionally numb, and desperate for peace. But peace is impossible in New York. When a horrifying massacre erupts at the Ravencroft Institute, Spider-Man discovers the birth of a nightmare: Cletus Kasady, a psychotic serial killer exposed to remnants of the Venom symbiote during illegal experiments, has merged with the alien substance to become Carnage. Faster, stronger, and infinitely more sadistic than Venom, Carnage is pure chaos made flesh — driven by one goal: to spread blood and death across the city. His rampage turns Manhattan into a slaughterhouse, forcing Spider-Man into a fight more violent and personal than any he’s faced before. Haunted by the memory of Gwen’s death and the darkness still buried inside him, Peter struggles not to lose himself in the carnage. Every confrontation pushes him closer to the edge — his rage threatening to consume the last of his humanity. As the body count rises, Spider-Man must embrace the monster within to stop one even worse, blurring the line between justice and vengeance. In a relentless, R-rated descent into horror, Spider-Man: Absolute Carnage delivers a vicious showdown between two sides of the same coin — one hero, one killer — both born from the same black abyss. The question isn’t who will win… but what will be left of Spider-Man when it’s over.
