Age: 87
male
Christopher Allen Lloyd (born October 22, 1938) is an American actor. He has appeared in many theater productions, films, and on television since the 1960s. He is known for portraying Dr. Emmett "Doc" Brown in the Back to the Future trilogy (1985–1990) and Jim Ignatowski in the comedy series Taxi (1978–1983), for which he won two Emmy Awards. Lloyd came to public attention in Northeastern theater productions during the 1960s and early 1970s, earning Drama Desk and Obie awards for his work. He made his cinematic debut in One Flew Over the Cuckoo's Nest (1975) and went on to star as Commander Kruge in Star Trek III: The Search for Spock (1984), Professor Plum in Clue (1985), Judge Doom in Who Framed Roger Rabbit (1988), Uncle Fester in The Addams Family (1991) and its sequel Addams Family Values (1993), Switchblade Sam in Dennis the Menace (1993), Mr. Goodman in Piranha 3D (2010), Bill Crowley in I Am Not a Serial Killer (2016) and David Mansell in Nobody (2021). He earned a third Emmy for his 1992 guest appearance as Alistair Dimple in Road to Avonlea (1992), and won an Independent Spirit Award for his performance in Twenty Bucks (1993). He has done extensive voice work, including Merlock in DuckTales the Movie: Treasure of the Lost Lamp (1990), Grigori Rasputin in Anastasia (1997), the Hacker in the PBS Kids series Cyberchase (2002–present), which earned him Daytime Emmy nominations, and the Woodsman in the Cartoon Network miniseries Over the Garden Wall (2014).
Christopher Lloyd
Gustav Fiers
for Gustav Fiers in Spider-Man Brand New Day
Suggested by lucasbarnett
Peter Parker (20) is a struggling ESU sophomore balancing a chaotic job at Delmar's Deli with his life as a hero. The film opens with a high-speed chase through Queens as Peter, on a delivery bike, foils a heist by Boomerang, a low-rent mercenary using stolen Oscorp tech. Peter wins, but the "data theft" behind the robbery points to a deeper conspiracy. Enter Norman Osborn (Stephen Moyer), a ruthless billionaire facing a corporate coup. To save his empire, he injects himself with the experimental Green Goblin serum. Moyer portrays Norman not as a cartoon, but as a high-functioning sociopath whose mind fractures into the "Goblin" persona, a tactical, shadow-dwelling urban hunter. While Peter builds a friendship with Harry Osborn, Norman begins a psychological game of cat and mouse. The Goblin targets Oscorp’s board members, framing Spider-Man for the violence. The tension peaks when Norman visits Peter at the deli; without a mask, he subtly threatens Peter’s life, revealing he’s deduced Spider-Man’s proximity to the "Daily Bugle" photographer. The finale is a brutal, rain-slicked battle at the ESU Science Hall. Peter must use his wits and makeshift gadgets to stop a series of "Pumpkin" thermobaric charges. He saves his classmates, but Norman escapes into the night, twisting the media narrative to emerge as a public hero. Peter is left broke and battered, knowing his greatest enemy now runs the city’s security.
