Age: 31
female
Zoey Francis Chaya Thompson Deutch (born November 10, 1994) is an American actress. She is daughter of director Howard Deutch and actress-director Lea Thompson. She gained recognition for her roles in the film Everybody Wants Some!!, the Netflix comedy series The Politician, and the film Set It Up. Deutch began her career with roles on the Disney Channel comedy series The Suite Life on Deck (2010–2011) and The CW crime drama series Ringer (2011–2012). Following her credited film debut in the gothic romance film Beautiful Creatures (2013), she starred in the fantasy horror film Vampire Academy (2014), for which she received a Teen Choice Award nomination. Deutch achieved critical praise for her roles in numerous films, including Richard Linklater's Everybody Wants Some!! (2016), Why Him? (2016), Before I Fall (2017), Flower (2017), and Rebel in the Rye (2017), for which she has received awards from the Dallas International Film Festival and the SCAD Savannah Film Festival. In 2017, her mother directed her and her sister Madelyn in the comedy-drama film The Year of Spectacular Men, which Deutch also co-produced. She went on to star in the critically acclaimed romantic comedy Set It Up (2018), the zombie comedy Zombieland: Double Tap (2019), and the comedy-drama Buffaloed (2019), which she also produced.
Jane Paris is everything a young woman should be: polite, charming, and obedient, with a glowing reputation and a good man all but begging for her hand in marriage. If she has any doubts about her role in life, they’re easy to push down. But when she takes a fateful shortcut through the woods, her idyllic life is threatened by an attack from the fabled beasts who stalk the trees. Fortunately, she’s rescued by the equally fabled witch who lives there. Unfortunately, the attack has left injuries that only the witch can heal. Jane is forced to stay with her until she recovers. This poses a problem, because the witch, Adelaide Thompson, is everything that Jane is not: blunt, abrasive, and unapologetic. But there is more to the fabled woman of the woods than meets the eye, and her harsh exterior belies a gentle kindness. As they grow closer, Jane’s attraction to both magic and the witch herself get harder to ignore. But can a life with Adelaide alone and cut off from society truly fulfill her, or will she be forced to compromise on her happiness no matter her choice?
