Age: 30
female
Anya-Josephine Marie Taylor-Joy (/ˈænjə/; born 16 April 1996) is an American actress and voice actress. Born in Miami and raised in Buenos Aires and London, she left school at 16 to pursue an acting career. After several minor television roles, her breakthrough came with a leading role in the horror film The Witch (2015). Her career progressed with roles in the horror film Split (2016) and its sequel Glass (2019), the black comedy film Thoroughbreds (2017), and playing Emma Woodhouse in the period drama Emma (2020). Taylor-Joy featured in the television crime drama series Peaky Blinders (2019–2022) and earned international recognition for playing Beth Harmon in the period drama miniseries The Queen's Gambit (2020), winning a Golden Globe Award and a SAG Award, in addition to a nomination for a Primetime Emmy Award. She then starred in the horror film Last Night in Soho (2021), the action films The Northman (2022) and The Gorge (2025), and the black comedy The Menu (2022). She also voiced Princess Peach in the animated film The Super Mario Bros. Movie (2023). She starred as Imperator Furiosa in the apocalyptic film Furiosa: A Mad Max Saga (2024). Description above from the Wikipedia article Anya Taylor-Joy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jane Paris is everything a young woman should be: polite, charming, and obedient, with a glowing reputation and a good man all but begging for her hand in marriage. If she has any doubts about her role in life, they’re easy to push down. But when she takes a fateful shortcut through the woods, her idyllic life is threatened by an attack from the fabled beasts who stalk the trees. Fortunately, she’s rescued by the equally fabled witch who lives there. Unfortunately, the attack has left injuries that only the witch can heal. Jane is forced to stay with her until she recovers. This poses a problem, because the witch, Adelaide Thompson, is everything that Jane is not: blunt, abrasive, and unapologetic. But there is more to the fabled woman of the woods than meets the eye, and her harsh exterior belies a gentle kindness. As they grow closer, Jane’s attraction to both magic and the witch herself get harder to ignore. But can a life with Adelaide alone and cut off from society truly fulfill her, or will she be forced to compromise on her happiness no matter her choice?
