Age: 36
male
Aaron Perry Taylor-Johnson (né Johnson; born 13 June 1990) is a British actor. His accolades include a Golden Globe Award, in addition to nominations for two British Academy Film Awards and a British Independent Film Award. As a child actor, Taylor-Johnson performed in films including Shanghai Knights (2003), The Illusionist (2006), and Angus, Thongs and Perfect Snogging (2008). He had his breakthrough performance as John Lennon in the biopic Nowhere Boy (2009), directed by Sam Taylor-Wood, whom he married in 2012, adding her surname. He gained recognition for his portrayal of the title character in Kick-Ass (2010) and its sequel, Kick-Ass 2 (2013), as well as for performances in the crime thriller Savages (2012), the period drama Anna Karenina (2012), and the monster film Godzilla (2014). Taylor-Johnson next portrayed the Marvel Cinematic Universe character Pietro Maximoff in Avengers: Age of Ultron (2015). For playing a psychopathic drifter in the thriller film Nocturnal Animals (2016), he won the Golden Globe Award for Best Supporting Actor. He has since appeared in the action films Tenet (2020), Bullet Train (2022) and The Fall Guy (2024), as well as starring roles in the horror films Nosferatu (2024) and 28 Years Later (2025). Description above from the Wikipedia article Aaron Taylor-Johnson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Aaron Taylor-Johnson
Hannibal Fang
for Hannibal Fang in Songs in Ursa Major
Suggested by wonderland29
Raised on an island off Massachusetts by a mother who wrote songs for famous musicians, Jane Quinn is singing in her own band before she's old enough to even read music. When folk legend Jesse Reid hears about Jane's performance at the island's music festival, a star is born--and so is a passionate love affair: they become inseparable when her band joins his on tour. Wary of being cast as his girlfriend--and haunted by her mother's shattered ambitions-- Jane shields her relationship from the public eye, but Jesse's star power pulls her into his orbit of fame. Caught up in the thrill of the road and the profound and lustful connection she has with Jesse, Jane is blind-sided by the discovery she makes about the dark secret beneath his music. Heartbroken and blackballed by the industry, Jane is now truly on her own: to make the music she loves, and to make peace with her family Shot through with the lyrics, the icons, the lore, the adrenaline of the early 70s music scene, Songs in Ursa Major pulses with romantic longing and asks the question so many female artists must face: What are we willing to sacrifice for our dreams?.
