Age: 67
female
Fiona Shaw (born Fiona Mary Wilson, 10 July 1958) is an Irish film and theatre actress. She did extensive work with the Royal Shakespeare Company and the National Theatre, as well as in film and television. In 2020, she was listed at No. 29 on The Irish Times list of Ireland's greatest film actors. She was made an Honorary Commander of the Order of the British Empire (CBE) by Queen Elizabeth II in 2001. She won both the 1990 and 1994 Laurence Olivier Award for Best Actress for roles in the plays Electra, As You Like It, The Good Person of Szechwan (1990), and Machinal (1994) and received a further three Olivier Award nominations for her roles in Mephisto (1986), Hedda Gabler (1992), and Happy Days (2008). She made her Broadway debut playing the title role in Medea (2002), for which she earned a nomination for the Tony Award for Best Actress in a Play. She returned to Broadway in the Colm Tóibín play The Testament of Mary (2013). In film, she played Petunia Dursley in the Harry Potter film series (2001–2010). Other notable film roles include My Left Foot (1989), Persuasion (1995), Jane Eyre (1996), The Tree of Life (2011), Colette (2018), Ammonite (2020), and Enola Holmes (2020). Her television roles include Hedda Hopper in the HBO film RKO 281 (1999) and Marnie Stonebrook in the HBO series True Blood (2011). She played Carolyn Martens in the BBC series Killing Eve (2018–22), for which she received the 2019 BAFTA TV Award for Best Supporting Actress and two Primetime Emmy Award nominations. For her role as a counsellor in Fleabag (2019), she received a Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series nomination. She starred in the BBC One series Baptiste (2021) and the Disney+ series Andor (2022). Description above from the Wikipedia article Manny Jacinto, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A spirited young Englishwoman, Abitha, arrives at a Puritan colony betrothed to a stranger – only to become quickly widowed when her husband dies under mysterious circumstances. All alone in this pious and patriarchal society, Abitha fights for what little freedom she can grasp onto, while trying to stay true to herself and her past. Enter Slewfoot, a powerful spirit of antiquity newly woken… and trying to find his own role in the world. Healer or destroyer? Protector or predator? But as the shadows walk and villagers start dying, a new rumor is whispered: Witch. Both Abitha and Slewfoot must swiftly decide who they are, and what they must do to survive in a world intent on hanging any who meddle in the dark arts.
