Age: 39
female
Nicola Mary Coughlan is an Irish actress. She is known for her roles as Clare Devlin in the Channel 4 sitcom Derry Girls and Penelope Featherington in the Netflix period drama Bridgerton. She earned a Screen Actors Guild Awards nomination for playing the lead role of Penelope Featherington in the third season of Bridgerton. Coughlan earned a British Academy Television Awards nomination for her role as Maggie Donovan in Big Mood (2024–present). Coughlan was born on 9 January 1987 in Galway, Ireland, and grew up in Oranmore. The youngest of three siblings, her father served in the Irish Army before passing away in 2016, and her mother was a stay-at-home parent. At the age of five, while watching her sister perform in a school play, Coughlan decided she wanted to become an actress. She attended Scoil Mhuire Primary School and Calasanctius College. She graduated with a degree in English and Classical Civilisation from the National University of Ireland, Galway. She then went on to train in England at the Oxford School of Drama and Birmingham School of Acting.
After a lifetime of failed relationships, non-binary history professor Sam Bell is committed to a new (non)romantic strategy: Thirst Only. It’s the actual drinking where things get too complicated, where Sam inevitably gets hurt. Sam is good at being thirsty, though, especially when it's karaoke night at The Moonlight Café, otherwise known as Moonie’s to its largely queer regulars. Moonie’s is fun. Comfortable. Safe. Except for tonight, when one by one, all of Sam’s friends abandon them. Disappointed, they prepare to leave—until their #1 karaoke crush catches their eye... For Lily Fischer, karaoke at Moonie's is the only time she can step outside of her quiet shell. When there’s a mic in her hand, she’s no longer merely a receptionist harboring big dreams. At Moonie's, Lily can pretend to be someone else: someone bold, who takes what she wants. And tonight, what Lily wants is the way Sam looks at her across the room as she sings her signature opening song, like they see her exactly as she wants to be seen. Like Moonie’s Lily is real. As the night progresses, both Sam’s and Lily’s personal fears are tested, and the real world outside of Moonie’s looms. But maybe sometimes, the real world should be a little more like karaoke. It's not always about knowing all the right words or having the perfect voice. Maybe all Sam and Lily need is a little courage to pick up the mic, and sing anyway.
