Age: 73
male
Jorge Damián Alcázar Castello is a renowned Mexican actor, born in Jiquilpan, Michoacan, on January 8, 1953. One of the most talented and recognized contemporary actors, Damián studied at the National Institute of Fine Arts, and later studied at the Centro of Theater Experimentation and, later, at the Faculty of Theater at the Universidad Veracruzana, where, years later, he would be a teacher. After several years in the theater, Damián made his film debut with The Center of the Labyrinth (1985), and later worked in films such as Romero (1989), The Naked City (1989), Bandidos (1991), Mujer del Puerto (1991). ), Lolo (1993), where he would win his first Ariel award, for best male co-acting, and Two crimes (1994), by Roberto Sneider, for which he was nominated, again, for the Ariel. The success of the film and his performance immediately propelled his career, which would lead him to participate in films such as En el aire (1995), El anzuelo (1996), Hombres armamos (1997), Baja California: El limit del tiempo ( 1998) and Herod's Law (1999), winning two consecutive Ariel Awards for both films, as best actor, in 1998 and 1999. With director Luis Estrada, Alcázar would star in a successful saga of films, with a social and critical spirit, with the films A Wonderful World (2006), Hell (2010) and The Perfect Dictatorship (2014), each one proving successful at the box office and criticismo. In 2018 the Academy of Motion Picture Arts and Sciences invited him to be a special part of its new members. Alcazár has a vast filmography, which includes film and television. He is considered one of the most important actors of new Mexican cinema.
Damián Alcázar
Don Aurelio Gutiérrez
for Don Aurelio Gutiérrez in Signs Preceding the End of the World
Suggested by sepanta_kazemi
Makina is a young woman who moves with quiet precision and sharp instincts. When word reaches her that her brother vanished somewhere in the United States, she steps into the desert with a single mission: cross the border and bring him home. The journey pulls her into a world built on whispers, debts, and shifting loyalties. She slips through cartel safe zones, rides with a coyote who may or may not be trustworthy, and survives a landscape where every shadow hides a threat. The border is not a line. It’s a maze. A test. A place where people vanish without a sound. On the other side, the world feels familiar and foreign at the same time. New streets, new rules, and a language that cuts off pieces of her identity. Makina is forced to navigate neighborhoods where migrants live in the cracks, where authority watches from behind dark glass, and where the wrong move can send someone back across the desert… or worse. But Makina doesn’t break. She observes. She adapts. She pushes forward. As the search draws her deeper into this strange new world, the trail toward her brother becomes more tangled, and Makina must decide how far she is willing to go — and how much of herself she is willing to lose — to bring her family together again. A tense, atmospheric journey through borders seen and unseen. A story about survival, identity, and the quiet strength of someone who refuses to disappear.
