Age: 79
male
Edward James Olmos (born February 24, 1947) is an Mexican-American actor, director, producer, and activist. He is best known for his roles as Lieutenant Martin "Marty" Castillo in Miami Vice (1984–1989), actor in and director of American Me (1992), William Adama in the re-imagined Battlestar Galactica (2004–2009), teacher Jaime Escalante in Stand and Deliver (1988), and Detective Gaff in Blade Runner (1982), and its sequel Blade Runner 2049 (2017). In 2018, he played the father of two members of an outlaw motorcycle club in the FX series Mayans MC. For his work in Miami Vice, Olmos won the 1985 Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series, as well as the Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film. For his performance in Stand and Deliver, Olmos was nominated for a Golden Globe Award and the Academy Award for Best Actor in a Leading Role. He is also known for his roles as patriarch Abraham Quintanilla in the film Selena, narrator El Pachuco in both the stage and film versions of Zoot Suit, and the voice of Chicharrón in Coco. Over the course of his career, Olmos has been a pioneer for more diversified roles and images of Hispanics in the U.S. media. His notable direction, production, and starring roles for films, made-for-TV movies, and TV shows include Wolfen, Triumph of the Spirit, Talent for the Game, American Me, The Burning Season, My Family/Mi Familia, Caught, 12 Angry Men, The Disappearance of Garcia Lorca, Walkout, The Wonderful Ice Cream Suit, American Family, and Dexter. Description above from the Wikipedia article Edward James Olmos, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Edward James Olmos
Mr. P
for Mr. P in Signs Preceding the End of the World
Suggested by sepanta_kazemi
Makina is a young woman who moves with quiet precision and sharp instincts. When word reaches her that her brother vanished somewhere in the United States, she steps into the desert with a single mission: cross the border and bring him home. The journey pulls her into a world built on whispers, debts, and shifting loyalties. She slips through cartel safe zones, rides with a coyote who may or may not be trustworthy, and survives a landscape where every shadow hides a threat. The border is not a line. It’s a maze. A test. A place where people vanish without a sound. On the other side, the world feels familiar and foreign at the same time. New streets, new rules, and a language that cuts off pieces of her identity. Makina is forced to navigate neighborhoods where migrants live in the cracks, where authority watches from behind dark glass, and where the wrong move can send someone back across the desert… or worse. But Makina doesn’t break. She observes. She adapts. She pushes forward. As the search draws her deeper into this strange new world, the trail toward her brother becomes more tangled, and Makina must decide how far she is willing to go — and how much of herself she is willing to lose — to bring her family together again. A tense, atmospheric journey through borders seen and unseen. A story about survival, identity, and the quiet strength of someone who refuses to disappear.
