Age: 39
female
Shraddha Kapoor (born 3 March 1987) is an Indian actress and singer who is known for her work in Bollywood films. The daughter of actor Shakti Kapoor, she began her acting career with a brief role in the 2010 heist film Teen Patti, and followed it with her first leading role in the teen drama Luv Ka The End (2011). Kapoor gained wide recognition for playing a singer in the highly successful romantic drama Aashiqui 2 (2013), for which she received a Filmfare Award for Best Actress nomination. The following year, she portrayed a character based on Ophelia in Vishal Bhardwaj's critically acclaimed drama Haider (2014), an adaptation of William Shakespeare's tragedy Hamlet. She established herself in Bollywood with starring roles in the romantic thriller Ek Villain (2014), the dance drama ABCD 2 (2015), and the action drama Baaghi (2016), all of which rank among her biggest commercial successes. In addition to acting in films, Kapoor has sung several of her film songs. She is the celebrity endorser for several brands and products, and in 2015, she launched her own line of clothing. She participates in stage shows and features in listings of the most popular and attractive Indian celebrities.
Kyung Cho is a young father burdened by a house he can’t afford. For years, he and his wife, Gillian, have lived beyond their means. Now their debts and bad decisions are catching up with them, and Kyung is anxious for his family’s future. A few miles away, his parents, Jin and Mae, live in the town’s most exclusive neighborhood, surrounded by the material comforts that Kyung desires for his wife and son. Growing up, they gave him every possible advantage—private tutors, expensive hobbies—but they never showed him kindness. Kyung can hardly bear to see them now, much less ask for their help. Yet when an act of violence leaves Jin and Mae unable to live on their own, the dynamic suddenly changes, and he’s compelled to take them in. For the first time in years, the Chos find themselves living under the same roof. Tensions quickly mount as Kyung’s proximity to his parents forces old feelings of guilt and anger to the surface, along with a terrible and persistent question: how can he ever be a good husband, father, and son when he never knew affection as a child?
