Age: 68
female
Mira Nair (born 15 October 1957) is an Indian film director and producer based in New York. Her production company is Mirabai Films. She was educated at Delhi University and Harvard University. Her debut feature, Salaam Bombay! (1988), won the Golden Camera award at the Cannes Film Festival and also earned the nomination for Academy Award for Best Foreign Language Film. Nair used the proceeds to establish an organisation for street children, called the Salaam Baalak Trust in India. She often works with longtime creative collaborator, screenwriter Sooni Taraporevala, whom she met at Harvard. Nair has won a number of awards, including a National Film Award and various international film festival awards, and was a nominee at the Academy Awards, Golden Globes, BAFTA Awards and Filmfare Awards. She was also awarded the India Abroad Person of the Year-2007, which was presented by Indra Nooyi, Chairperson and CEO, PepsiCo, Inc, and India Abroad Person of the Year-2006. Nair is married to political scientist Mahmood Mamdani. Their son, Zohran Mamdani, is, since 1 January 2026, Mayor of New York City. Description above from the Wikipedia article Mira Nair, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Kyung Cho is a young father burdened by a house he can’t afford. For years, he and his wife, Gillian, have lived beyond their means. Now their debts and bad decisions are catching up with them, and Kyung is anxious for his family’s future. A few miles away, his parents, Jin and Mae, live in the town’s most exclusive neighborhood, surrounded by the material comforts that Kyung desires for his wife and son. Growing up, they gave him every possible advantage—private tutors, expensive hobbies—but they never showed him kindness. Kyung can hardly bear to see them now, much less ask for their help. Yet when an act of violence leaves Jin and Mae unable to live on their own, the dynamic suddenly changes, and he’s compelled to take them in. For the first time in years, the Chos find themselves living under the same roof. Tensions quickly mount as Kyung’s proximity to his parents forces old feelings of guilt and anger to the surface, along with a terrible and persistent question: how can he ever be a good husband, father, and son when he never knew affection as a child?
