Age: 35
male
Greg Hsu (許光漢), born Hsu Kuang-Han, is a Taiwanese actor and singer celebrated for his emotional depth, range, and screen charisma, from romantic heartbreak to intense thriller presence. He gained widespread acclaim for his dual-role performance in the hit series Someday or One Day (2019) and has since built a diverse body of work across film and television, including his striking portrayal of the enigmatic assassin Mr. Smile in the K-drama No Way Out: The Roulette (2024). Hsu’s performances have earned him multiple prestigious nominations, including Golden Bell Award nods for Best Supporting Actor (Have You Ever Fallen in Love, Miss Jiang?) and Best Leading Actor (Someday or One Day) at Taiwan’s premier television awards. His film credits span A Complete Life (2013), Hijra in Between (2018), Back to the Good Times (2018), A Sun (2019), My Love (2021), the theatrical adaptation Someday or One Day: The Movie (2022), Marry My Dead Body (2023), Behind the Blue Eyes (2023), The Invisible Guest (2023), and 18×2 Beyond Youthful Days (2024). On television he has appeared in Dive into Love (2013), Qseries: Love of Sandstorm (2016), Qseries: Have You Ever Fallen in Love, Miss Jiang? (2017), My Dear Boy (2017), Attention, Love! (2017), Art In Love (2017), Inference Notes (2017), Meet Me @1006 (2018), Nowhere Man (2019), Someday or One Day (2019), Ru: Taiwan Express (2020), Rainless Love in a Godless Land (2021), Light the Night (2021), GG Precinct (2024), and No Way Out: The Roulette (2024). His work has earned both critical praise and popular recognition across Asian and international audiences.
Greg Hsu
Shang Tsung
for Shang Tsung in Shang Tsung: Kill Them All (Live Action Film)
Suggested by nihilus
When Shang Tsung tears through a portal into Liu Kang’s newly forged timeline, the world becomes his hunting ground. Clad with venom-slick Tekkō-Kagi claws that hiss and ignite with each strike, he moves with the precision of a martial arts master and the cruelty of a predator. Battles unfold in a blur of balletic violence, fast, fluid, and merciless, every clash punctuated by a fatal end that feels less like combat and more like ritual slaughter. With each kill he rips away his victim’s soul, drinking it in with a twisted euphoria that leaves him trembling with power as their bodies collapse into hollow husks. There is a slasher’s patience in his cruelty, a horror to the inevitability of his advance, each warrior falling one by one as though stalked by death itself wearing a sorcerer’s face. When Liu Kang finally arrives, his defiance only deepens the tragedy. Their duel ignites the sky, but in the end, the god of fire is consumed in a single brutal flourish, his soul torn free and devoured in rapture, leaving the realm silent but for the echoes of screams and the shadow of a tyrant who has claimed not just victory, but the timeline itself.
