Age: 43
male
Uwais Qorny, better known as Iko Uwais (born on February 12, 1983, in Jakarta) is an Indonesian actor, stuntman, fight choreographer, and martial artist. He is widely recognized for his roles in action films such as Merantau (2009), The Raid (2011), and The Raid 2 (2014). Since the age of 10, Iko has been practicing pencak silat, a traditional Indonesian martial art, under the guidance of his grandfather, H. Achmad Bunawar, who was a silat master and founder of a silat school. In 2005, Iko won the national championship in the Silat Demonstration category. Iko's international career flourished with his role in Star Wars: The Force Awakens (2015) as Razoo Qin-Fee. He also starred in other Hollywood films such as Mile 22 (2018) and Stuber (2019). In 2019, Iko portrayed Kai Jin in the Netflix series Wu Assassins and reprised the role in its sequel film Fistful of Vengeance (2022). In his personal life, Iko married singer Audy Item on June 25, 2012. The couple has been blessed with two daughters, Atreya Syahla Putri Uwais and Aneska Layla Putri Uwais. Recently, Iko made headlines after a Japanese fan, Norihiro Matsuo, became emotional upon meeting him, highlighting Iko's global popularity. With his dedication and talent, Iko Uwais continues to make significant contributions to the action film industry, both in Indonesia and internationally.
Iko Uwais
Fight Choreographer #5
for Fight Choreographer #5 in Shang Tsung: Kill Them All (Live Action Film)
Suggested by nihilus
When Shang Tsung tears through a portal into Liu Kang’s newly forged timeline, the world becomes his hunting ground. Clad with venom-slick Tekkō-Kagi claws that hiss and ignite with each strike, he moves with the precision of a martial arts master and the cruelty of a predator. Battles unfold in a blur of balletic violence, fast, fluid, and merciless, every clash punctuated by a fatal end that feels less like combat and more like ritual slaughter. With each kill he rips away his victim’s soul, drinking it in with a twisted euphoria that leaves him trembling with power as their bodies collapse into hollow husks. There is a slasher’s patience in his cruelty, a horror to the inevitability of his advance, each warrior falling one by one as though stalked by death itself wearing a sorcerer’s face. When Liu Kang finally arrives, his defiance only deepens the tragedy. Their duel ignites the sky, but in the end, the god of fire is consumed in a single brutal flourish, his soul torn free and devoured in rapture, leaving the realm silent but for the echoes of screams and the shadow of a tyrant who has claimed not just victory, but the timeline itself.
