Age: 67
female
Jennifer Tilly (born Jennifer Ellen Chan; September 16, 1958) is an American actress and poker player. She is most recognised as Tiffany Valentine in the Child's Play franchise (1998–), a role for which she is recognized as an "icon" in the horror film community. Her first notable acting role was on the sitcom Shaping Up (1984), which she followed with her film debut in No Small Affair the same year. She is known for her distinctive voice and comedic timing. Tilly is a World Series of Poker Ladies' Event bracelet winner, the first celebrity to win a World Series tournament. She is the older sister of actress Meg Tilly. Tilly came to prominence when she received an Academy Award nomination for her portrayal of Olive Neal in Woody Allen's 1994 film Bullets over Broadway. She earned further acclaim, as well as Saturn Award and MTV Award nominations, for her performance in the Wachowskis' 1996 neo-noir thriller Bound. Her other film appearances include Let It Ride; The Fabulous Baker Boys (1989); Made in America (1993); The Getaway (1994); Edie & Pen; House Arrest (1996); Liar Liar (1997); Music from Another Room (1998); Stuart Little (1999); Dancing at the Blue Iguana (2000); The Cat's Meow; Monsters, Inc. (2001); The Haunted Mansion (2003); Home on the Range (2004); and Terry Gilliam's Tideland (2005). She is also known for providing the voice of Bonnie Swanson on the animated television series Family Guy (1999–present). Tilly was the recipient of a Theatre World Award in 1993 for her performance in the Off-Broadway play One Shoe Off. Her other stage credits include the Broadway revivals of The Women (2001) and Don't Dress for Dinner (2012).
Jennifer Tilly
Mercedes Ortiz
for Mercedes Ortiz in Sex and Vanity
Suggested by telefilm34
On her very first morning on the jewel-like island of Capri, Lucie Churchill sets eyes on George Zao and she instantly can’t stand him. She can’t stand it when he gallantly offers to trade hotel rooms with her so that she can have the view of the Tyrrhenian Sea, she can’t stand that he knows more about Curzio Malaparte than she does, and she really can’t stand it when he kisses her in the darkness of the ancient ruins of a Roman villa and they are caught by her snobbish, disapproving cousin, Charlotte. “Your mother is Chinese so it’s no surprise you’d be attracted to someone like him,” Charlotte teases. Daughter of an American-born-Chinese mother and blue-blooded New York father, Lucie has always sublimated the Asian side of herself in favor of the white side, and she adamantly denies having feelings for George. But several years later, when George unexpectedly appears in East Hampton where Lucie is weekending with her new fiancé, Lucie finds herself drawn to George again. Soon, Lucy is spinning a web of deceit that involves her family, her fiancé, the co-op board of her Fifth Avenue apartment, and ultimately herself as she tries mightily to deny George entry into her world–and her heart. Moving between summer playgrounds of privilege, peppered with decadent food and extravagant fashion, Sex and Vanity is a truly modern love story, a daring homage to A Room with a View, and a brilliantly funny comedy of manners set between two cultures.
