Age: 85
female
Dorothy Faye Dunaway (born January 14, 1941) is a European-American actress. She is the recipient of such accolades as an Academy Award, three Golden Globes, and a British Academy Film Award. Her career began in the early 1960s on Broadway. She made her screen debut in the 1967 film The Happening, and rose to fame that same year with her portrayal of outlaw Bonnie Parker in Arthur Penn's Bonnie and Clyde, for which she received her first Academy Award nomination. Her most notable films include the crime caper The Thomas Crown Affair (1968), the drama The Arrangement (1969), the revisionist western Little Big Man (1970), an adaptation of the Alexandre Dumas classic The Three Musketeers (1973), the neo-noir mystery Chinatown (1974), for which she earned her second Oscar nomination, the action-drama disaster The Towering Inferno (1974), the political thriller Three Days of the Condor (1975), the satire Network (1976), for which she won an Academy Award for Best Actress, and the thriller Eyes of Laura Mars (1978). Her career evolved to more mature and character roles in subsequent years, often in independent films, beginning with her controversial portrayal of Joan Crawford in the 1981 film Mommie Dearest. Other notable films in which she has appeared include Barfly (1987), The Handmaid's Tale (1990), Arizona Dream (1994), Don Juan DeMarco (1995), The Twilight of the Golds (1997), Gia (1998) and The Rules of Attraction (2002). Dunaway also performed on stage in several plays including A Man for All Seasons (1961–63), After the Fall (1964), Hogan's Goat (1965–67), A Streetcar Named Desire (1973) and was awarded the Sarah Siddons Award for her portrayal of opera singer Maria Callas in Master Class (1996). Description above from the Wikipedia article Faye Dunaway, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Faye Dunaway
Consuelo Barclay Churchill
for Consuelo Barclay Churchill in Sex and Vanity
Suggested by telefilm34
On her very first morning on the jewel-like island of Capri, Lucie Churchill sets eyes on George Zao and she instantly can’t stand him. She can’t stand it when he gallantly offers to trade hotel rooms with her so that she can have the view of the Tyrrhenian Sea, she can’t stand that he knows more about Curzio Malaparte than she does, and she really can’t stand it when he kisses her in the darkness of the ancient ruins of a Roman villa and they are caught by her snobbish, disapproving cousin, Charlotte. “Your mother is Chinese so it’s no surprise you’d be attracted to someone like him,” Charlotte teases. Daughter of an American-born-Chinese mother and blue-blooded New York father, Lucie has always sublimated the Asian side of herself in favor of the white side, and she adamantly denies having feelings for George. But several years later, when George unexpectedly appears in East Hampton where Lucie is weekending with her new fiancé, Lucie finds herself drawn to George again. Soon, Lucy is spinning a web of deceit that involves her family, her fiancé, the co-op board of her Fifth Avenue apartment, and ultimately herself as she tries mightily to deny George entry into her world–and her heart. Moving between summer playgrounds of privilege, peppered with decadent food and extravagant fashion, Sex and Vanity is a truly modern love story, a daring homage to A Room with a View, and a brilliantly funny comedy of manners set between two cultures.
