
Age: 54
female
Claudia Lee Black is an Australian actress and voice actress, best known for her portrayals of Aeryn Sun in Farscape, Vala Mal Doran in Stargate SG-1 and Sharon "Shazza" Montgomery in the film Pitch Black. She has had prominent roles in video games, such as Chloe Frazer in Uncharted, Morrigan in Dragon Age, Admiral Daro'Xen and Matriarch Aethyta in Mass Effect and Samantha Byrne in Gears of War 3, Gears of War 4, and Gears of War 5. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in The CW's Containment. Black was born and raised in a Jewish family in Sydney, New South Wales, Australia. She studied at the Anglican Kambala School, in Sydney. She has lived in Australia, New Zealand, Spain, the United Kingdom, Canada and the United States. Her parents are Australian medical academics Jules and Judy Black. Since 2007, Black has been a prolific video game voice actress. She has gained particular attention for her work with BioWare's Dragon Age and Mass Effect series. Her son Odin Black voiced her Dragon Age character's son in Dragon Age: Inquisition. She also played Chloe Frazer in the Uncharted series. In 2014 she voices the vendor Tess Everis in the game Destiny and again in 2017 for Destiny 2 and she she had a voice-over role in Rick and Morty as Ma-Sha in the episode "Rasing Gazorpaso". In 2016, she appeared in Call of Duty: Infinite Warfare as Engineer Audrey "Mac" MaCallum and n 2008, she narrated the audiobook "Swallowing Darkness" by Laurell K. Hamilton. This page is based on a Wikipedia article written by contributors. Text is available under the CC BY-SA 4.0 license; additional terms may apply.

Claudia Black

Label President Carole
for Label President Carole in Seventh Heaven
Suggested by mr95

She spent six years writing other people's feelings. She has never once written her own. Mia Rossi, 29, is one of the most successful songwriters in the music industry — her name is in the credits of forty-seven hit songs in five years, she has written number ones for artists in six countries, and absolutely nobody knows her name. She prefers it this way. Writing other people's feelings requires a specific emotional detachment she has built into an art form: she can identify what a song needs emotionally with clinical precision without ever accessing her own emotional reality. When she is commissioned to write an album for Stellan, a major pop star whose label has decided he needs a more 'authentic' emotional direction, the assignment requires her to actually spend time with him — understanding his emotional landscape, his experiences, what he genuinely feels. Stellan is not what she expected: not the managed pop product but a genuinely feeling person who begins, episode by episode, to realize that the songs Mia is writing for him are more emotional than she can explain purely professionally. The film is a slow-burn romantic drama about a woman who understands everyone else's heart with extraordinary precision and has been carefully avoiding her own. Act One — The Assignment Mia in the session room. Clinical, brilliant, precise. Stellan arriving expecting a professional and meeting something harder to categorize. Act Two — The Songs The songs taking shape. Their emotional content becoming specific in ways Stellan doesn't understand and Mia pretends not to notice. Act Three — The Credit Who wrote what, and why it matters. The film's ending is not a kiss but a song — Mia's first credit under her own name.