
Age: 32
male
Michel Duval is a Mexican actor, singer, songwriter, composer and model known for his work in both Latin American television and U.S. productions. He gained international attention for his role as Chico in the Syfy action-drama Deadly Class (2019). Duval began acting as a child with appearances in La familia P. Luche and Atrévete a soñar and continued with early roles in La rosa de Guadalupe, Mujeres asesinas and the MTV series Último año. He went on to recurring and lead parts in Lo imperdonable, his breakthrough as Salvador “Chava” Acero in Telemundo’s Señora Acero (2015–2018), and a recurring role as Enrique “Kique” Jiménez in Queen of the South. His later credits include Diablero, the comedy-drama Herederos por accidente, the romantic telenovela Parientes a la fuerza, the 2023 Prime Video release Hasta la madre del Día de las Madres, holiday specials ¡Hasta la madre! De la Navidad and Mi amor sin tiempo, Marea de pasiones (2024), and the forthcoming Mi verdad oculta (2025). He also appeared in the short film Roy El Mago and the TV mini-series Puño Limpio. Duval continues to work across television, film and music.

Michel Duval

Nova II
for Nova II in Sentry: CARNAGE (Live Action Film)
Suggested by nihilus

Once hailed as Earth’s shining savior, the Sentry is overtaken by the Void and begins a merciless purge, leaving Earth’s defenders in ruins. Captain Marvel is the first to die brutally and followed by countless others: Nova, Quasar, Juggernaut, and more, their resistance swallowed in horror. Shang-Chi and the Iron Fists, Danny Rand and Lin Lie, unleash a furious martial-arts assault, striking with dazzling precision before being brutally annihilated. Hulk and Blue Marvel strike next, their seismic blows fracturing space-time and hurling all three into an endless multiversal war. Across shattered realities—neon Cyberpunk 2099, the ash of the Age of Apocalypse, sorcerer kingdoms, and machinized futures—Sentry consumes alternate versions of himself in grotesque, Prototype-like amalgamations, mutating into a hydra of light and void. On one ravaged Earth he meets King Hyperion, who once slew his own Sentry, but this Void-fed monster mutates mid-battle and devours him. Gladiator of the Shi’ar crashes in with comet-like might, briefly matching his power before being consumed. The rampage leads to a symbiote-dominated Earth, where Knull commands an army of horrors—including the corrupted Dark Surfer. There Sentry is torn in half and the Void absorbed into Knull’s abyssal crucible. Amid the chaos, Carnage—who has spilled his blood onto the Darkhold to claim eldritch might, and silenced Scarlet Witch in a brutal killing to prevent her reality-bending interference—strikes. With psychotic cunning he slays Knull and ascends as the new King in Black. God-tier power flooding him, Carnage resurrects Sentry not as savior but as a colossal symbiote war-engine bound to his throne. The film closes in cosmic horror: Carnage, blood-drenched and crowned in living flesh, seated upon a throne of writhing shadows as the multiverse trembles. His abyssal laughter echoes through every rift, heralding that the nightmare has only begun—and that reality itself is now his endless slaughterhouse.