
Age: 75
male
Edward Allen Harris (born November 28, 1950) is an American actor and filmmaker. His performances in Apollo 13 (1995), The Truman Show (1998), Pollock (2000), and The Hours (2002) earned him critical acclaim and Academy Award nominations. Harris has appeared in numerous leading and supporting roles, including in Creepshow (1982), The Right Stuff (1983), Under Fire (1983), Places in the Heart (1984), The Abyss (1989), Glengarry Glen Ross (1992), The Firm (1993), Nixon (1995), The Rock (1996), Stepmom (1998), A Beautiful Mind (2001), Enemy at the Gates (2001), Radio (2003), A History of Violence (2005), Gone Baby Gone (2007), National Treasure: Book of Secrets (2007), Snowpiercer (2013), Mother! (2017), The Lost Daughter (2021), and Top Gun: Maverick (2022). In addition to directing Pollock, Harris directed the Western film Appaloosa (2008). In television, Harris is notable for his roles as Miles Roby in the miniseries Empire Falls (2005) and as United States Senator John McCain in the television movie Game Change (2012); the latter earned him the Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film. He starred as the Man in Black in the HBO science fiction-Western series Westworld (2016–2022), for which he earned a nomination for the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series.

After the death of their mother Sissel, the estranged sisters Nora and Agnes Borg are forced to confront their distant father Gustav, a once-famous but now almost forgotten film director who abandoned the family when the girls were still young; Nora, now a driven stage actress, has prioritized her career above all else, while Agnes chose a stable life with a husband, child, and secure job—creating a stark contrast that further strains their relationship. Gustav, convinced that an autobiographical screenplay he's written will be his ticket back to fame, wants to tell the story of his mother, who took her own life in the family home in Norway—a place still partially owned by him and haunted by the trauma she endured from Nazi torture during the war. He offers the lead role to Nora, but she firmly refuses, prompting him to cast Hollywood actress Rachel Kemp instead, whom he met during a retrospective of his films in France. As filming begins, Gustav seizes the opportunity not only to revive his artistic legacy but also to mend the deeply fractured relationships with his daughters.
