
Age: 51
female
Judith Therese Evans (born July 20, 1975), known professionally as Judy Greer, is an American actress. She is primarily known as a character actress who has appeared in various films. She rose to prominence for her supporting roles in the films Jawbreaker (1999), What Women Want (2000), 13 Going on 30 (2004), Elizabethtown (2005), 27 Dresses (2008), and Love & Other Drugs (2010). Greer expanded into multiple genres with roles in films, such as The Wedding Planner (2001), Adaptation (2002), The Village (2004), The Descendants (2011), Jeff, Who Lives at Home (2011), Carrie (2013), Men, Women & Children (2014), Grandma (2015), Lemon (2017), Where'd You Go, Bernadette (2019), Uncle Frank (2020), and Hollywood Stargirl (2022). She appeared in numerous blockbusters, such as Dawn of the Planet of the Apes (2014) and its sequel War for the Planet of the Apes (2017), Jurassic World (2015), Halloween (2018) and its sequel Halloween Kills (2021), and the Marvel Cinematic Universe films Ant-Man (2015), Ant-Man and the Wasp (2018), and Guardians of the Galaxy Vol. 3 (2023). She made her directorial debut with the comedy-drama film A Happening of Monumental Proportions (2017). Greer is best known on television for her starring voice role as Cheryl Tunt in the FXX animated comedy series Archer (2009–2023) and Lina Bowman in the FX sitcom Married (2014–2015). She also appeared in the comedy series The Big Bang Theory (2007–2019), Arrested Development (2003–2006, 2013–2019), Two and a Half Men (2003–2015), It's Always Sunny in Philadelphia (2007–2011), Kidding (2018–2020), Let's Go Luna! (2018–2022), and Reboot (2022). Description above from the Wikipedia article Judy Greer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

In a quiet California town, a masked killer stalks a group of teenagers with an obsession for horror films. When Stanley Prescott, a sharp-witted and resilient young man, becomes the killer's primary target, he must navigate a nightmare of paranoia and betrayal. Alongside his best friend Tate, video store clerk Brandy, and local reporter Gary Weathers, Stanley fights to survive while uncovering the killer's true identity and motivation. As the body count rises, the line between reality and horror movie tropes blurs dangerously. Stanley discovers that everyone around him could be a suspect, and that knowing the rules of survival might not be enough. This genderswapped reimagining maintains the original's meta-commentary on horror while exploring how power dynamics, vulnerability, and resilience shift when the narrative centers on women fighting back against a relentless threat.






