Age: 66
male
James Todd Spader (/ˈspeɪdər/ SPAY-dər; born February 7, 1960) is an American actor. He is known for often portraying eccentric and morally ambiguous characters. He began his career in critically acclaimed independent films before transitioning into television, where he has received acclaim and many awards, including three Primetime Emmy Awards and nominations for three Golden Globe Awards, and ten Screen Actors Guild Awards. Spader began acting in youth-oriented films such as Tuff Turf, The New Kids (both 1985), Pretty in Pink (1986), and Mannequin (1987). His breakthrough role came with the Steven Soderbergh drama Sex, Lies, and Videotape (1989), for which he received the Cannes Film Festival Award for Best Actor. He then starred in films such as White Palace (1990), True Colors (1991), Stargate (1994), 2 Days in the Valley (1996), and Secretary (2002). Spader took supporting roles in Bob Roberts (1992), Wolf (1994), Lincoln (2012), and The Homesman (2014). He also played the role of Ultron in the Marvel Cinematic Universe film Avengers: Age of Ultron (2015). His television roles include the attorney Alan Shore in the last season of The Practice (2003–2004) and its spin-off Boston Legal (2004–2008), which earned him three Primetime Emmy Awards for Outstanding Lead Actor in a Drama Series. He portrayed Robert California in the sitcom The Office (2011–2012). He then starred as Raymond Reddington in the NBC crime thriller series The Blacklist (2013–2023), for which he received two Golden Globe Award nominations for Best Actor – Television Series Drama. Description above from the Wikipedia article James Spader, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In a small California town during the neon-soaked 1980s, a masked killer emerges with a twisted obsession: horror movies. When a group of teenagers becomes targets, they must navigate a deadly game where knowledge of slasher films might be their only survival tool. A resourceful final girl, her skeptical boyfriend, and a sharp-witted best friend race to unmask the killer before the body count rises. As paranoia spreads through their community, they discover the killer's motives run deeper than simple murder—rooted in personal betrayal and cinematic revenge. With synth-heavy tension, practical gore effects, and a killer who calls his victims to taunt them, this film deconstructs 80s horror tropes while becoming one itself. The mystery deepens as suspects multiply and trust crumbles, leading to a shocking revelation that redefines everything they thought they knew about their town's dark secrets.
