Age: 66
male
Samuel Marshall Raimi (/ˈreɪmi/ RAY-mee; born October 23, 1959) is an American filmmaker. He is best known for writing and directing the Evil Dead trilogy (1981–1992) and directing the Spider-Man trilogy (2002–2007). He also directed Darkman (1990), The Quick and the Dead (1995), A Simple Plan (1998), The Gift (2000), Drag Me to Hell (2009), Oz the Great and Powerful (2013), and Doctor Strange in the Multiverse of Madness (2022). His films are known for their highly dynamic visual style, inspired by comic books and slapstick comedy. He founded the production companies Renaissance Pictures in 1979 and Ghost House Pictures in 2002. Raimi has also produced several successful television series, including Hercules: The Legendary Journeys (1995–1997), its spin-off Xena: Warrior Princess (1995–2001), and Ash vs Evil Dead (2015–2018) starring longtime friend and collaborator Bruce Campbell, reprising his role in the Evil Dead franchise. Description above from the Wikipedia article Sam Raimi, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A few years have passed since the multiversal war. Wanda Maximoff now lives a quiet life, her powers diminished, her identity hidden. After dismantling her false reality, both she and her brother Peter were reborn as metahumans, no longer mutants, their appearances altered by the magic she used to escape. But peace never lasts. When Doctor Strange detects an alternate reality pressing dangerously close to their own, he investigates—only to find that Doctor Doom survived and now rules the crumbling world Wanda left behind. Strange turns to Wanda for help. Reluctantly, she returns to that decaying universe, where time has passed differently. There, a version of her father reigns as King Magneto, leading the last resistance against Doom. Together, Wanda, Strange, and King Magneto launch a final assault. Facing the destruction she once caused, Wanda channels the last of her chaos magic. She casts one final, devastating spell—hurling Doom into the past and collapsing the twisted timeline. As the world fades, she and Strange escape back to their reality. But something stirs. In the post-credits scene, a flicker of light cuts through the void. From it emerges a young man with glowing blue eyes and a red bandanna, staring ahead with purpose. Something—or someone—is still coming.
